Macrobius devotes almost the whole morning of the third day in his Saturnalia to Virgil. Eustathius, in response to a question from Euangelus, examines what Virgil drew from the Greeks and from Homer in particular. In chapter 11 of Book 5, the expositor quotes and comments on some loci similes, judging in favour of the Roman poet. At the start of the chapter, he compares the bee simile in Aeneid 1.430–6 with a passage from Homer, Iliad 2.87–93:
Et haec quidem iudicio legentium relinquenda sunt, ut ipsi aestiment quid debeant de utriusque collatione sentire. Si tamen me consulas, non negabo nonnumquam Vergilium in transferendo densius excoluisse, ut in hoc loco:
In Virgil's Aeneid, the simile characterizes the activity of the Tyrians; Homer compares the mass of Greek soldiers to bees. The comparison to bees is common in epic poetry,Footnote 2 but here Virgil's specific debt to Homer is evident.Footnote 3 None the less, while Virgil has followed Homer's lead in creating his simile, he is also remodelling, with a few alterations, his own description of busy bees at Georgics 4.162–9:Footnote 4
At Aeneid 1.433 the reading attested by the direct witnesses to Virgil's text and retained by all editors is et dulci … nectare, as opposed to et liquido … nectare at Georgics 4.164. The text transmitted by Macrobius, in contrast, presents the enallage dulces distendunt nectare cellas.Footnote 5 Among the manuscripts of Virgil, only Vat. Pal. Lat. 1631 (P) offers dulcis, emended to dulci by another scribe.Footnote 6
Macrobius' attestation of the accusative dulces/dulcis is not cited either in critical editions of Virgil or in modern commentaries.Footnote 7 Yet enallage is a syntactical figure that the poet uses widely in the Aeneid, though he avoids it in the Eclogues and Georgics.Footnote 8 It is quite possible that Virgil, in transforming the description into a simile, has revised Georgics 4.164 not only by substituting the adjective dulcis for liquidus, but also by exchanging the syntactic relations among the words in the sentence. The generous use of enallage is a means by which the poet obtains defamiliarizing effects; by making his epic language more elaborate, it elevates the stylistic level, which is higher in the Aeneid than in the Georgics.Footnote 9 Macrobius' reading, also attested by codex P of Virgil, deserves serious consideration and, even if not accepted into the text, it incontestably merits a place in the critical apparatus.