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Performing the Same Score: Repentance, Truth and Doctrine in Ecumenical Theology

Published online by Cambridge University Press:  01 January 2024

Jeffrey McCurry*
Affiliation:
Department of Theology, College of St. Catherine, St. Paul, MN 55105, USA
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Abstract

This article develops the fruitful metaphor of musical performance to think about church-dividing conflicts over doctrine. In particular, I show that just as there is more than one way for a score of music to be faithfully performed, so there can be more than one way for shared fundamental dogma to be faithfully articulated in different confessional or doctrinal traditions. When the disagreements between the Chalcedonian and non-Chalcedonian churches over christological doctrine are reframed as contrasting but not contradictory “performances” of one shared scriptural and Nicene dogma, possibilities for ecumenical reconciliation are strenghthened. Indeed, while not articulating its practice by means of the metaphor of a musical performance, the Roman Catholic magisterium is already approaching doctrinal reconciliation in just this way.

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Type
Original Articles
Copyright
Copyright © The author 2007. Journal compilation