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THE LAST HURRAH: EXAMINING THE NATURE OF PERI-ABANDONMENT DEPOSITS AND ACTIVITIES AT CAHAL PECH, BELIZE

Published online by Cambridge University Press:  01 May 2020

Jaime J. Awe*
Affiliation:
Department of Anthropology, Northern Arizona University, 5 East McConnell Drive, Flagstaff, Arizona86011
Claire E. Ebert
Affiliation:
Department of Anthropology, Northern Arizona University, 5 East McConnell Drive, Flagstaff, Arizona86011
Julie A. Hoggarth
Affiliation:
Department of Anthropology, Baylor University One Bear Place #97173, Waco, Texas76798
James J. Aimers
Affiliation:
Department of Anthropology, The State University of New York at Geneseo, 1 College Circle, Geneseo, New York14454
Christophe Helmke
Affiliation:
Institute of Cross-cultural and Regional Studies, University of Copenhagen, Karen Blixens Plads 8, DK-2300Copenhagen S, Denmark
John Douglas
Affiliation:
Department of Anthropology, University of Montana, 32 Campus Drive, Missoula, Montana59812
W. James Stemp
Affiliation:
Department of Sociology, Anthropology, and Criminology, Keene State College, 229 Main Street, Keene, New Hampshire03435
*
E-mail correspondence to: jaime.awe@nau.edu
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Abstract

Archaeological investigations by the Belize Valley Archaeological Reconnaissance Project at Cahal Pech uncovered several Terminal Classic (a.d. 750–900) peri-abandonment deposits and activity areas at this Belize River Valley center. The deposits contained a diverse assemblage of cultural remains located above and between collapsed architecture, associated with evidence for burning activities. In the past, archaeologists have generally interpreted similar assemblages as “problematic deposits”—“de facto” refuse (garbage)—as associated with building termination and desecration, or as evidence for rapid abandonment during the violent destruction of these ancient cities. It is argued here that the microstratigraphic excavation and contextual analysis of these features provide limited support for these explanations. Alternatively, we suggest that the deposits are more likely associated with peri-abandonment rituals that were conducted by a reduced remnant population at Cahal Pech, or by small groups who continued to reside in the site's periphery during the last stages of the Terminal Classic period.

Information

Type
Special Section: Problematic “On-Floor” Deposits in the Terminal Classic Eastern Maya Lowlands: Implications for the Maya Collapse
Copyright
Copyright © Cambridge University Press, 2020
Figure 0

Figure 1. Map of Western Belize, indicating location of sites discussed in text. Map by Helmke.

Figure 1

Figure 2. Map of Cahal Pech site-core, indicating location of peri-abandonment deposits and intrusive burials. Map by Ebert and Mark Campbell.

Figure 2

Figure 3. Location of peri-abandonment deposits and intrusive burial in Plaza A. Photograph by Awe.

Figure 3

Figure 4. Peri-abandonment deposit on the western flank of the stairside outset of Structure A3 at Cahal Pech. Photograph by Awe.

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Figure 5. Partly excavated peri-abandonment deposit in front of Cahal Pech Structure A3. Photograph by Awe.

Figure 5

Figure 6. Intrusive child burial in bench of Structure A3. Photograph by Awe.

Figure 6

Table 1. Cultural remains recovered in peri-abandonment deposits at Cahal Pech, including Plaza A, Structures A1/A2 alleyway, Plaza B, and Plaza G. “Y” indicates evidence for burning activity.

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Table 2. Cultural remains present in peri-abandonment deposits at sites in the Belize Valley: Cahal Pech (CHP), Baking Pot (BKP), Lower Dover (LWD), Xunantunich (XUN), Actun Tunichil Muknal (ATM), Barton Creek Cave (BCC), Pook's Hill (PKH), Aguacate Uno (ACU). “Y” indicates presence of cultural remain type; “N” represents absence of cultural remain type.

Figure 8

Figure 7. Location of the Zopilote Group in the Cahal Pech settlement. Map by Ebert.

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Figure 8. Terminal Classic peri-abandonment buildings constructed above Late Classic architecture in Plaza H, Cahal Pech. Photograph by Awe.

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Figure 9. Censers from intrusive burials in (a and b) Structure B1 and (c) Structure H1 Tomb. Photograph by Awe.