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The weakly nonlinear admittance at open ends of two- and three-dimensional acoustic waveguides

Published online by Cambridge University Press:  12 October 2026

Freddie Jensen
Affiliation:
Mathematics Institute, University of Warwick, Coventry CV4 7AL, UK
Harry Turnbull
Affiliation:
Mathematics Institute, University of Warwick, Coventry CV4 7AL, UK
Edward James Brambley*
Affiliation:
Mathematics Institute, University of Warwick, Coventry CV4 7AL, UK WMG, University of Warwick, Coventry CV4 7AL, UK
*
Corresponding author: Edward James Brambley, e.j.brambley@warwick.ac.uk

Abstract

Content of image described in text.

We formulate a weakly nonlinear exit condition for open ends of acoustic waveguides; to our knowledge, this is the first time a general acoustic open end has been analysed outside the linear regime. The formulation neglects mean flow, vortex separation and viscous effects. The resulting admittance boundary condition, and its weakly nonlinear counterpart, extend recent weakly nonlinear modelling of curved ducts Jensen & Brambley (2026 J. Fluid Mech., vol. 1030, A19) to include open ends. We approximate free space by considering the open-ended duct to be enclosed within a much larger hard-walled concentric duct; within the larger duct, the smaller duct exit is modelled as an acoustic discontinuity. Importantly, the superposition principle is unneeded, allowing the model to be applied in the nonlinear regime. The exit condition can be calculated without needing to solve the full problem in either the outer or inner ducts, making it numerically efficient. The exit condition is validated in the linear regime by comparison with Wiener–Hopf solutions of the duct end correction, and a novel nonlinear end correction is proposed; we find that both non-plane waves and nonlinearity cause the end correction to vary significantly from Rayleigh’s classical $0.6$ radii result. A number of numerical illustrations are then discussed, demonstrating nonlinear effects, sound radiating from curved ducts, sound radiating from an exponential horn (representative of brass instrument bells) and the harmonic effects of the open end on in-duct resonances. The model has potential applications to sound in woodwind and brass instruments. Matlab source code is provided in the supplementary material.

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Type
JFM Papers
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2026. Published by Cambridge University Press
Figure 0

Figure 1. Figure 1 long description.A schematic depicting the inner and outer ducts. (a) The inner duct, with centreline q(s)$\boldsymbol{q}(s)$, inlet (s=0$s = 0$) and the outlet boundary/surface of emission (s=so$s = s_{\text{o}}$) depicted in green. (b) The outer duct, with centreline q(s)$\boldsymbol{q}(s)$, relative duct widths X1$X_1$ and X2$X_2$, the acoustic source/surface of emission (s=0+$s = 0+$) depicted in green, the absorbing boundary or ‘acoustic wormhole’ (s=0−$s=0-$) depicted in red and the two domains of propagation s>0$s \gt 0$ and s<0$s \lt 0$, with acoustic variables continuous across the dash-dotted line. Note that the outer-duct domain s<0$s\lt 0$ intersects with the inner-duct domain, shown by the blue dashed lines, but this intersection is ignored in this model. Outer and inner widths X2$X_2$ and X1$X_1$ use the 2-D notation.

Figure 1

Figure 2. End-correction coefficients for a 3-D duct, calculated using the Wiener–Hopf technique (solid line) and our outlet condition (dash-dotted line), for mα=0$m_\alpha =0$; 8 modes were used in the inner duct and 1200 in the outer duct, with a duct width ratio of 1/40.

Figure 2

Figure 3. End-correction coefficients for a 2-D duct with a symmetric source, calculated using the Wiener–Hopf technique (solid line) and our outlet condition (dash-dotted line). Thirteen modes were used in the inner duct and 2000 in the outer duct, with a width ratio of 1/40.

Figure 3

Figure 4. Comparison of different numerical parameter choices for a segment of figure 3 between 2π$2\pi$ and 4π$4\pi$, with only the α1=2$\alpha ^1 = 2$ mode shown. The Wiener–Hopf solution is plotted in black, and the original parameter choice (η,αmax2)=(1/40,2000)$(\eta ,\alpha ^2_{\textit{max}}) = (1/40,2000)$ from figure 3 is shown plotted with an orange dashed line as before. All of these take αmax1=10$\alpha _{\textit{max}}^1 = 10$.

Figure 4

Figure 5. The nonlinear generalised end-correction coefficient s~0/R1$\tilde {s}_0/R_1$ for fixed Helmholtz number ωR1=0.05$\omega R_1 = 0.05$ and a range of duct lengths (scaled by source wavelength λ=2π/ω$\lambda = 2\pi /\omega$) and Mach numbers, in three dimensions. Nonlinearity is shown to have a dampening effect on the discrepancy between duct length and resonant length for low frequencies, and the longer the duct the stronger this effect will be. Eight modes were used in the inner duct and 200 in the outer duct, with 10 temporal modes and a width ratio of 1/10.

Figure 5

Figure 6. Figure 6 long description.The nonlinear generalised end-correction coefficient s~0/X1$\tilde {s}_0/X_1$ for fixed Helmholtz number ωX1=3$\omega X_1 = 3$ and a range of duct lengths (scaled by source wavelength λ=2π/ω$\lambda = 2\pi /\omega$) and Mach numbers, in two dimensions. We see that for an intermediate frequency, the end correction remains the same or decreases depending on the duct length. Eight modes were used in the inner duct and 200 in the outer duct, with 10 temporal modes and a width ratio of 1/10. The shock formation distance, given by Lsf=1/Mβ0ω$L_{{sf}} = 1/M\beta _0\omega$, for β0$\beta _0$ the coefficient of nonlinearity, is shown in green (and has also been normalised by X1$X_1$ here).

Figure 6

Figure 7. Inlet scalar impedance (Zrms$Z_{\textit{rms}}$ in (5.1)) for a range of frequencies in three dimensions, for (a) a straight duct of aspect ratio 1/4; (b) a straight duct of aspect ratio 1/8; (c) a straight duct of aspect ratio 1/16; and (d) a duct of aspect ratio 1/16 undergoing a constant-curvature bend of angle π/2$\pi /2$. Eight modes were used in the inner duct, 1200 in the outer duct and the width ratio was 1/40.

Figure 7

Figure 8. Linear-acoustic field within a duct opening into another duct 10 times larger, in three dimensions, for (a) a straight duct of aspect ratio 1/4; (b) a straight duct of aspect ratio 1/8; (c) a straight duct of aspect ratio 1/16; and (d) a duct of aspect ratio 1/16 undergoing a bend of angle π/2$\pi /2$. Each duct has a source at the inlet of frequency equal to that of the duct in question’s third closed resonance (as calculated in figure 7). Eight modes were used in the inner duct, 1200 in the outer duct and the width ratio was 1/40. An animation of this figure is given as Movie 1 in the supplementary material.

Figure 8

Figure 9. Figure 9 long description.Linear-acoustic field emanating from a 1-D acoustic source into a 2-D duct 10 times larger. Ten modes were used in the inner calculation and 200 modes in the outer, with ωX1=3$\omega X_1 = 3$ for X1$X_1$ the inner width. An animation of this figure is given as Movie 2 in the supplementary material.

Figure 9

Figure 10. Linear-acoustic field emanating from a straight duct into a duct 10 times larger, in two dimensions. Ten modes were used in the inner calculation and 200 modes in the outer, with ωX1=3$\omega X_1 = 3$ for X1$X_1$ the inner width. An animation of this figure is given as Movie 3 in the supplementary material.

Figure 10

Figure 11. Figure 11 long description.Linear-acoustic field emanating from a straight duct into a duct 10 times larger, in three dimensions. Ten modes were used in the inner calculation and 200 modes in the outer, with ωR1=3/2$\omega R_1 = 3/2$ for R1$R_1$ the inner radius. An animation of this figure is given as Movie 4 in the supplementary material.

Figure 11

Figure 12. The nonlinear-acoustic field within a straight duct, with a perturbation Mach number of M=0.10$M = 0.10$, opening into a duct 10 times larger (outer duct not plotted), in two dimensions. Ten modes were used in the inner calculation and 200 modes in the outer, with ωX1=3$\omega X_1 = 3$ for X1$X_1$ the inner radius. An animation of this figure is given as Movie 5 in the supplementary material.

Figure 12

Figure 13. Figure 13 long description.Nonlinear-acoustic field emanating from a straight duct into a linear-regime duct 10 times larger, in two dimensions. Ten spatial modes were used in the inner calculation and 200 spatial modes in the outer, with ωX1=3$\omega X_1 = 3$ for X1$X_1$ the inner width. Seven temporal modes were used for perturbation Mach number M=0.05$M = 0.05$. An animation of this figure is given as Movie 6 in the supplementary material.

Figure 13

Figure 14. Nonlinear-acoustic field emanating from a straight duct into a linear-regime duct 10 times larger, in three dimensions. Ten spatial modes were used in the inner calculation and 200 spatial modes in the outer, with ωX1=3$\omega X_1 = 3$ for X1$X_1$ the inner width. Seven temporal modes were used for perturbation Mach number M=0.05$M = 0.05$. An animation of this figure is given as Movie 7 in the supplementary material.

Figure 14

Figure 15. Figure 15 long description.Linear-acoustic field emanating from a curved duct into a duct 10 times larger, in two dimensions. Ten modes were used in the inner calculation and 200 modes in the outer, with ωX1=3$\omega X_1 = 3$ for X1$X_1$ the inner radius. An animation of this figure is given as Movie 8 in the supplementary material.

Figure 15

Figure 16. Nonlinear-acoustic field emanating from a curved duct into a linear-regime duct 10 times larger, in two dimensions. Ten spatial modes were used in the inner calculation and 200 spatial modes in the outer, with ωX1=3$\omega X_1 = 3$ for X1$X_1$ the inner width. Seven temporal modes were used for perturbation Mach number M=0.05$M = 0.05$. An animation of this figure is given as Movie 9 in the supplementary material.

Figure 16

Figure 17. Linear-acoustic field emanating from an exponential horn into a duct 10 times larger, in two dimensions (this plot shows a zoomed-in section of the outer duct, in order for the complete inner domain to be clearly visible). Forty modes were used in the inner calculation and 800 modes in the outer, with ωX1=3$\omega X_1 = 3$ for X1$X_1$ the inner radius. An animation of this figure is given as Movie 10 in the supplementary material.

Figure 17

Figure 18. End-correction coefficients for a 2-D duct with a symmetric source, calculated using the Wiener–Hopf technique (solid line), the sound-hard outlet condition (dash-dotted line) and the pressure-release outlet condition (dotted line). Thirteen modes were used in the inner duct and 2000 in the outer duct, with a width ratio of 1/40.

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