ALBRIGHT, DANIEL, Berlioz, Verdi, Wagner, Britten: Great Shakespearians, Vol. XI. London and New York: Bloomsbury Arden Shakespeare, 2014. Pp. 256. £80/$150 Hb; £23.99/$39.95 Pb.

BALFOUR, MICHAEL, BUNDY, PENNY, BURTON, BRUCE, DUNN, JULIE and WOODROW, NINA, eds., Applied Theatre: Resettlement. London and New York: Bloomsbury, 2015. Pp. 248 + 10 illus. £18.99 Pb.

BALME, CHRISTOPHER B., The Theatrical Public Sphere. Cambridge: Cambridge University Press, 2014. Pp. 230 + 12 illus. £60 Hb.

BANK, ROSEMARIE K. and KOBIALKA, MICHAEL, eds., Theatre/Performance Historiography. New York: Palgrave Macmillan, 2015. Pp. 280. £55/$90 Hb.

BARRIOS, RICHARD, Dangerous Rhythm: Why Movie Musicals Matter. Oxford: Oxford University Press, 2014. Pp. 288 + 20 illus. £22.99 Hb.

BARTOLOVICH, CRYSTAL, HILLMAN, DAVID and HOWARD, JEAN E., eds., Marx and Freud: Great Shakespearians, Vol. X. London and New York: Bloomsbury Arden Shakespeare, 2014. Pp. 240. £80/$150 Hb; £23.99/$39.95 Pb.

BERNSTEIN, JOANNE SCHEFF, Standing Room Only: Marketing Insights for Engaging Performing Arts Audiences. Second edition. Basingstoke: Palgrave Macmillan, 2014. Pp. 416. £36.99/$55 Hb.

BLAU, HERBERT, Programming Theater History: The Actor's Workshop of San Francisco. New York: Routledge, 2013. Pp. 210. £80/$136 Hb; £24.99/$41.95 Pb.

BRITTEN, BILL, From Stage to Screen: A Theatre Actor's Guide to Working on Camera. London and New York: Bloomsbury, 2015. Pp. 248. £14.99/$29.95 Pb.

DECKER, TODD, Who Should Sing Ol’ Man River? The Lives of an American Song. Oxford: Oxford University Press, 2015. Pp. 256 + 15 illus. £19.99 Hb.

D'MONTÉ, REBECCA, British Theatre and Performance 1900–1950. London and New York: Bloomsbury, 2015. Pp. 352. £16.99 Pb.

EWAN, VANESSA and GREEN, DEBBIE, Actor Movement: Expression of the Physical Being. London and New York: Bloomsbury, 2015. Pp. 336. £22.49/$42.95 Pb.

FOLINO WHITE, ANN, Plowed Under: Food Policy Protests and Performance in New Deal America. Bloomington, IN: Indiana University Press, 2014. Pp. 322 + 22 illus. $30 Pb.

GODDARD, LYNETTE, Contemporary Black British Playwrights: Margins to Mainstream. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. 268. £55 Hb.

GRANT, STUART, MCNEILLY, JODIE and VEERAPEN, MAEVA, eds., Performance and Temporalisation: Time Happens. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. 272. £55 Hb.

HEATHER, JANE and SELMAN, JAN, Theatre, Teens, Sex Ed: Are We There Yet?. Edmonton, AB: University of Alberta Press, 2015. Pp. 542. £41.99/$49.95 Pb.

HOLLAND, PETER, ed., Garrick, Kemble, Siddons, Kean: Great Shakespearians, Vol. II. London and New York: Methuen Arden Shakespeare, 2014. Pp. 240. £80/$150 Hb; £23.99/$39.95 Pb.

KERR, ROSALIND, The Rise of the Diva on the Sixteenth-Century Commedia dell’Arte Stage. Toronto and London: University of Toronto Press, 2015. Pp. 232 + 26 illus. £34.19/$52.84 Hb.

KOZINN, SARAH, Justice Performed: Courtroom TV Shows and the Theatres of Popular Law. London and New York: Bloomsbury, 2015. Pp. 280. £17.99 Pb.

LOOSER, DIANA, Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania. Honolulu: University of Hawaii Press, 2014. Pp. 328. $55 Hb.

O'CONNOR, PETER and ANDERSON, MICHAEL, eds., Applied Theatre: Research, Radical Departures. London and New York: Bloomsbury, 2015. Pp. 312. £18.99 Pb.

POOLE, ADRIAN, Joyce, T. S. Eliot, Auden, Beckett: Great Shakespearians, Vol. XII. London and New York: Bloomsbury Arden Shakespeare, 2014. Pp. 248. £80/$150 Hb; £23.99/$39.95 Pb.

POOLE, ADRIAN, Scott, Dickens, Eliot, Hardy: Great Shakespearians, Vol. V. London and New York: Bloomsbury Arden Shakespeare, 2014. Pp. 224. £80/$150 Hb; £23.99/$39.95 Pb.

PRENTKI, TIM, ed., Applied Theatre: Development. London and New York: Bloomsbury, 2015. Pp. 304. £18.99 Pb.

RABEY, DAVID IAN, The Theatre and Films of Jez Butterworth. London and New York: Bloomsbury, 2015. Pp. 240. £19.99 Pb.

ROBERTS, DAVID, Restoration Plays and Players: An Introduction. Cambridge: Cambridge University Press, 2014. Pp. 260. £17.99/$27.99 Pb.

ROCHE, ANTHONY, The Irish Dramatic Revival 1988–1939. London and New York: Bloomsbury, 2015. Pp. 272. £15.29 Pb.

SAUNDERS, GRAHAM, ed., British Theatre Companies: 1980–1994. London and New York: Bloomsbury, 2015. Pp. 320. £19.99 Pb.

SCHWEITZER, MARLIS, Transatlantic Broadway: The Infrastructural Politics of Global Performance. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. 266. £55 Hb.

SHEPHERD-BARR, KRISTEN E., Theatre and Evolution from Ibsen to Beckett. New York: Columbia University Press, 2015. Pp. 400 + 6 illus. £34.50/$50 Hb.

SYMONDS, DOMINIC, We’ll Have Manhattan: The Early Work of Rodgers & Hart. Oxford: Oxford University Press, 2015. Pp. 360 + 30 illus. £22.99 Hb.

TOMLIN, LIZ, ed., British Theatre Companies: 1995–2014. London and New York: Bloomsbury, 2015. Pp. 344. £17.99 Pb.

TRENCSÉNYI, KATALIN, Dramaturgy in the Making: A User's Guide for Theatre Practitioners. London and New York: Bloomsbury, 2015. Pp. 352. £19.99 Pb.

TRENCSÉNYI, KATALIN and COCHRANE, BERNADETTE, eds., New Dramaturgy: International Perspectives on Theory and Practice. London: Bloomsbury, 2014. Pp. 304. £17.99/£33.20 Pb; £58.50/£106.40 Hb.

WARDEN, CLAIRE, Modernist and Avant-Garde Performance: An Introduction. Edinburgh: Edinburgh University Press, 2015. Pp. 224 + 15 illus. £70 Hb; £19.99 Pb.

WHITE, GARETH, ed., Applied Theatre: Aesthetics. London and New York: Bloomsbury, 2015. Pp. 320 + 7 illus. £17.09 Pb.

WILLETT, JOHN, and MANHEIM, RALPH, eds., The Collected Short Stories of Bertolt Brecht. London and New York: Bloomsbury, 2015. Pp. 344. £13.49 Pb.

ZINMAN, TOBY, Replay: Classic Modern Drama Reimagined. London and New York: Bloomsbury, 2015. Pp. 288. £55/$94 Hb; £16.99/$29.95 Pb.