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Books Received

Published online by Cambridge University Press:  31 May 2011

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Type
Books Received
Information
Theatre Research International , Volume 36 , Issue 2 , July 2011, pp. 190 - 192
Copyright
Copyright © International Federation for Theatre Research 2011

ALBANESE, DENISE, Extramural Shakespeare. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 196. £50/$75 Hb.

ANDERSON, DONALD R., Shadowed Cocktails: The Plays of Philip Barry from Paris Bound to The Philadelphia Story. Carbondale: Southern Illinois University Press, 2010. Pp. 238. £40.50/$45 Pb.

ANDERSON, PATRICK, So Much Wasted: Hunger, Performance, and the Morbidity of Resistance. Durham, NC: Duke University Press Books, 2010. Pp. 208. £14.99/$21.95 Pb; £56/$74.95 Hb.

ARRINGTON, LAUREN, W. B. Yeats, the Abbey Theatre, Censorship, and the Irish State: Adding the Half-Pence to the Pence. Oxford: Oxford University Press, 2010. Pp. 224. £60/$110 Hb.

ASTINGTON, JOHN H., Actors and Acting in Shakespeare's Time: The Art of Stage Playing. Cambridge: Cambridge University Press, 2010. Pp. 260. £15.99/$26.99 Pb; £45/$75 Hb.

BAINES, ROGER, PERTEGHELLA, MANUELA AND MARINETTI, CRISTINA, eds., Staging and Performing Translation: Text and Theatre Practice. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 280. £55/$80 Hb.

BEAUFILS, ELIANE, Violences sur les scènes allemandes. Paris: PUPS, 2010. Pp. 304 + 8 illus. €20 Pb.

BEAUJEU, ARNAUD, Matière et lumière dans le théâtre de Samuel Beckett: Autour des notions de trivialité, de spiritualité et d‘„autre-là”. Oxford, Bern, e.a.: Peter Lang, 2010. Pp. xiv + 363. SFR 75/€51.10/£43/$74.95 Pb.

BEITCHMAN, PHILIP, The Theatre of Naturalism: Disappearing Act. New York, Bern, e.a.: Peter Lang, 2011. Pp. x + 139. SFR 66/€46.80/£38.30/$65.95 Pb.

BHATIA, NANDI, Performing Women: Theatre, Politics, and Dissent in North India. Oxford: Oxford University Press, 2010. Pp. 232. £27.50/$35 Hb.

BIAL, HENRY AND MAGELSSEN, SCOTT, eds., Theater Historiography: Critical Interventions. Ann Arbor: University of Michigan Press, 2010. Pp. 312. £25.95/$28.95 Pb; £75.95/$85 Hb.

BILES, ZACHARY P., Aristophanes and the Poetics of Competition. Cambridge: Cambridge University Press, 2011. Pp. xii + 290. £60/$99 Hb.

BOLT, RANJIT, The Art of Translation. London: Oberon, 2010. Pp. 58. £9.99 Pb.

BOUKO, CATHERINE, Théâtre et réception: Le spectateur postdramatique. Brussels, Bern, e.a.: P.I.E., 2010. Pp. 258 + illus. €34.50/£31.10/$53.95 Hb.

BRADLEY, LAURA, Cooperation and Conflict: GDR Theatre Censorship, 1961–1989. Oxford: Oxford University Press, 2011. Pp. 336. £55/$99 Hb.

BRADLEY, LYNNE, Adapting King Lear for the Stage. Farnham: Ashgate, 2010. Pp. 274. £55/$99.95 Hb.

BRODZINSKI, EMMA, Theatre in Health and Care. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 240. £50/$75 Hb.

BUTEL, YANNICK, BIDENT, CHRISTOPHE, TRIAU, CHRISTOPHE AND MAÏSETTI, ARNAU, eds., Koltès maintenant et autres metamorphoses. Bern, Berlin, e.a.: Peter Lang, 2010. Pp. x + 361. SFR 88/€60.70/£51/$87.95 Hb.

COHEN, MATTHEW ISAAC, Performing Otherness: Java and Bali on International Stages, 1905–1952. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 286. £55/$85 Hb.

CONTEH-MORGAN, JOHN, with Dominic Thomas, New Francophone African and Carribean Theatres. Bloomington: Indiana University Press, 2010. Pp. xx + 210. $24.95 Pb; $70 Hb; $21.20 Ebook.

COOPER, HELEN, Shakespeare and the Medieval World. London: Methuen, 2010. Pp. xiv + 272. £55 Hb.

CURRY, JULIAN, Shakespeare on Stage: Thirteen Leading Actors on Thirteen Key Roles. Pp. xvi + 256. London: Nick Hern, 2010. £14.99 Pb.

DALINGER, BRIGITTE, Trauerspiele mit Gesang und Tanz: Zur Ästhetik und Dramaturgie jüdischer Theatertexte. Vienna, Cologne and Weimar: Böhlau, 2010. Pp. 380. €49 Pb.

FISCHER-LICHTE, ERIKA, GRONAU, BARBARA AND WEILER, CHRISTEL, eds., Global Ibsen: Performing Multiple Modernities. Abingdon and New York: Routledge, 2010. Pp. 292. £85/$110 Hb.

FREIXE, GUY, Les Utopies du masque sur les scènes européennes du XXe siècle. Montpellier Verlag: Editions L'Entretemps, 2010. Pp. 368. €65 Hb.

GONZÁLEZ, ANITA, Mexico: Dancing between Myth and Reality. Austin: University of Texas Press, 2010. Pp. 183. £38/$55 Hb.

HALLENSLEBEN, MARKUS, ed., Performative Body Spaces: Corporeal Topographies in Literature, Theatre, Dance, and the Visual Arts. Amsterdam and New York: Rodopi, 2010. Pp. 250. €50/$70 Pb.

HAMMER, ANITA, Between Play and Prayer: The Variety of Theatricals in Spiritual Performance. Amsterdam and New York: Rodopi, 2010. Pp. 430. €86/$120 Hb.

HAYDEN, JUDY A., Of Love and War: The Political Voice in the Early Plays of Aphra Behn. Amsterdam and New York: Rodopi, 2010. Pp. xii + 303. €63/$88 Pb.

HIMMELSEHER, BIRGIT, Das Weimarer Hoftheater unter Goethes Leitung: Kunstanspruch und Kulturpolitik im Konflikt. Berlin: Walter de Gruyter, 2010. Pp. 299. €79.95 Hb.

HINGORANI, DOMINIC, British Asian Theatre: Dramaturgy, Process and Performance. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 256. £16.99/$28.95 Pb; £50/$80 Hb.

HOPE, JONATHAN, Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance. London: AC Black, 2010. Pp. 272. £55 Hb.

HUTCHISON, YVETTE, ed., African Theatre Histories, 1850–1950. Woodbridge and Rochester, NY: James Currey, 2010. Pp. xvi + 184. £17.99/$29.95 Pb.

JACKSON, ANTHONY AND KIDD, JENNY, eds., Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation. Manchester and New York: Manchester University Press, 2011. Pp. xiv + 282. £55/$90 Hb.

JANNARONE, KIMBERLY, Artaud and His Doubles. Michigan: University of Michigan Press, 2010. Pp. 272. $55 Hb.

JOBEZ, ROMAIN, Le théâtre baroque allemand et français. Le droit dans la littérature. Paris: Ed. Classiques Garnier, 2010. Pp. 589. €69 Pb.

JOHANSSON, OLA, Community Theatre and Aids. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. xiv + 179. £50/$80 Hb.

KELLY, VERONICA, The Empire Actors: Stars of Australasian Costume Drama 1890s–1920s. Sydney: Currency House, 2010. Pp. xii + 212 + illus. AU$64.95 Hb.

KEMPF, LUCIE AND HOFFERT, YANNICK, eds., Le théâtre au cinéma. Adaptation, transposition, hybridation. Nancy: Presses Universitaires de Nancy, 2010. Pp. 246. €20 Pb.

KOLB, ALEXANDRA, ed., Dance and Politics. Oxford, Bern, e.a.: Peter Lang, 2010. Pp. xx + 348. SFR 80/€54.70/£46/$79.95 Pb.

LANE, DAVID, Contemporary British Drama. Edinburgh: Edinburgh University Press, 2010. Pp. 224. £16.99/$25 Pb; £60/$80 Hb.

LEON, RUTH, The Sound of Musicals. Pp. 128. London: Oberon, 2010. £9.99 Pb.

LIMON, JERZY AND ŻUKOWSKA, AGNIESZKA, eds., Theatrical Blends: Art in the Theatre, Theatre in the Arts. Gdansk: Terytoria, 2010. Pp. 246 + 13 illus. €20 Pb.

LOEHLIN, JAMES N., Introduction to Chekhov. Cambridge: Cambridge University Press, 2010. Pp. 210. £12.99/21.99 Pb; £45/$72 Hb.

MCATEER, MICHAEL, Yeats and European Drama. Cambridge: Cambridge University Press, 2010. Pp. 236. £50/$85 Hb.

MCMULLAN, ANNA, Performing Embodiment in Samuel Beckett's Drama. Abingdon and New York: Routledge, 2010. Pp. 196. £85/$110 Hb.

MARSCHALL, BRIGITTE, Politisches Theater nach 1950. Vienna, Cologne and Weimar: Böhlau, 2010. Pp. 483. €24.90 Pb.

MAUFORT, MARC, Labyrinth of Hybridities: Avatars of O'Neillian Realism in Multi-ethnic American Drama, 1972–2003. Brussels, Bern, e.a.: P.I.E., 2010. Pp. 241. €28.20/£25.40/$43.95 Pb.

PAO, ANGELA C., No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater. Ann Arbor: University of Michigan Press, 2010. Pp. 316. £26.95/$29.95 Pb; £71.50/$80 Hb.

PEARSON, MIKE, Site-Specific Performance. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xvi + 208. £16.99/$29 Pb; £49.50/$85 Hb.

PUCHNER, MARTIN, The Drama of Ideas: Platonic Provocations in Theater and Philosophy. Oxford and New York: Oxford University Press, 2010. Pp. 266. £19.99/$29.95 Hb.

RIESCHE, BARBARA, Schöne Mohrinnen, edle Sklaven, schwarze Rächer: Schwarzendarstellung und Sklavereithematik im deutschen Unterhaltungstheater, 1770–1814. Hannover: Wehrhahn, 2010. Pp. 336. €28 Pb.

RIVERA-SERVERA, RAMÓN H. AND YOUNG, HARVEY, eds., Performance in the Borderlands. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. xii + 284. £55/$85 Hb.

SANT, TONI, Franklin Furnace & the Spirit of the Avant-Garde: A History of the Future. Bristol: Intellect, 2010. Pp. 160. £19.95/$25 Pb.

SELL, MIKE, ed., Avant-Garde Performance and Material Exchange: Vectors of the Radical. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 232. £50/$80 Hb.

SHELL, ALISON, Shakespeare and Religion. London: AC Black, 2010. Pp. 320. £55 Hb.

SIERZ, ALEKS, Rewriting the Nation: British Theatre Today. London: Methuen, 2011. Pp. 288. £16.99 Pb.

SINGLETON, BRIAN, Masculinities and the Contemporary Irish Theatre. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. viii + 228. £50/$80 Hb.

STILES, KRISTINE, ed., Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle. Durham, NC: Duke University Press, 2010. Pp. 576. £20.95/$29.95 Pb; £75/$99.95 Hb.

SWINDALL, LINDSEY R., The Politics of Paul Robeson's Othello. Jackson: University Press of Mississippi, 2011. Pp. viii + 234. $50.00 Hb.

TONNING, ERIK, FELDMAN, MATTHEW, ENGELBERTS, MATTHIJS AND VAN HULLE, DIRK, eds., Samuel Beckett: Debts and Legacies. Amsterdam and New York: Rodopi, 2010. Pp. 484. €96/$134 Hb.

TORR, DIANE AND BOTTOMS, STEPHEN J., Sex, Drag, and Male Roles: Investigating Gender as Performance. Ann Arbor: University of Michigan Press, 2010. Pp. 314. £23.95/$26.95 Pb; £62.50/$70 Hb.

TUDOR, ADRIAN P., LONGTIN, MARIO AND EMERSON, CATHERINE, eds., Performance, Drama and Spectacle in the Medieval City: Essays in Honour of Alan Hindley. Louvain: Peeters, 2010. Pp. 568. €76 Hb.

URBAN, EVA, Community Politics and the Peace Process in Contemporary Northern Irish Drama. Oxford, Bern, e.a.: Peter Lang, 2011. Pp. 303. SFR 66/€45.20/£38/$65.95 Pb.

VALK, THORSTEN AND FULDA, DANIEL, eds., Die Tragödie der Moderne: Gattungsgeschichte, Kulturtheorie, Epochendiagnose. Berlin: Walter de Gruyter, 2010. Pp. 370. €99 Hb.

WERNER, SARAH, ed., New Directions in Renaissance Drama and Performance Studies. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 226. £50/$80 Hb.

WERTH, BRENDA, Theatre, Performance, and Memory Politics in Argentina. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 272. £52.50/$80 Hb.

ZURCHER, ANDREW, Shakespeare and Law. London: AC Black, 2010. £55 Hb.

References

ALBANESE, DENISE, Extramural Shakespeare. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 196. £50/$75 Hb.CrossRefGoogle Scholar
ANDERSON, DONALD R., Shadowed Cocktails: The Plays of Philip Barry from Paris Bound to The Philadelphia Story. Carbondale: Southern Illinois University Press, 2010. Pp. 238. £40.50/$45 Pb.Google Scholar
ANDERSON, PATRICK, So Much Wasted: Hunger, Performance, and the Morbidity of Resistance. Durham, NC: Duke University Press Books, 2010. Pp. 208. £14.99/$21.95 Pb; £56/$74.95 Hb.CrossRefGoogle Scholar
ARRINGTON, LAUREN, W. B. Yeats, the Abbey Theatre, Censorship, and the Irish State: Adding the Half-Pence to the Pence. Oxford: Oxford University Press, 2010. Pp. 224. £60/$110 Hb.CrossRefGoogle Scholar
ASTINGTON, JOHN H., Actors and Acting in Shakespeare's Time: The Art of Stage Playing. Cambridge: Cambridge University Press, 2010. Pp. 260. £15.99/$26.99 Pb; £45/$75 Hb.CrossRefGoogle Scholar
BAINES, ROGER, PERTEGHELLA, MANUELA AND MARINETTI, CRISTINA, eds., Staging and Performing Translation: Text and Theatre Practice. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 280. £55/$80 Hb.Google Scholar
BEAUFILS, ELIANE, Violences sur les scènes allemandes. Paris: PUPS, 2010. Pp. 304 + 8 illus. €20 Pb.Google Scholar
BEAUJEU, ARNAUD, Matière et lumière dans le théâtre de Samuel Beckett: Autour des notions de trivialité, de spiritualité et d‘„autre-là”. Oxford, Bern, e.a.: Peter Lang, 2010. Pp. xiv + 363. SFR 75/€51.10/£43/$74.95 Pb.CrossRefGoogle Scholar
BEITCHMAN, PHILIP, The Theatre of Naturalism: Disappearing Act. New York, Bern, e.a.: Peter Lang, 2011. Pp. x + 139. SFR 66/€46.80/£38.30/$65.95 Pb.Google Scholar
BHATIA, NANDI, Performing Women: Theatre, Politics, and Dissent in North India. Oxford: Oxford University Press, 2010. Pp. 232. £27.50/$35 Hb.CrossRefGoogle Scholar
BIAL, HENRY AND MAGELSSEN, SCOTT, eds., Theater Historiography: Critical Interventions. Ann Arbor: University of Michigan Press, 2010. Pp. 312. £25.95/$28.95 Pb; £75.95/$85 Hb.CrossRefGoogle Scholar
BILES, ZACHARY P., Aristophanes and the Poetics of Competition. Cambridge: Cambridge University Press, 2011. Pp. xii + 290. £60/$99 Hb.CrossRefGoogle Scholar
BOLT, RANJIT, The Art of Translation. London: Oberon, 2010. Pp. 58. £9.99 Pb.Google Scholar
BOUKO, CATHERINE, Théâtre et réception: Le spectateur postdramatique. Brussels, Bern, e.a.: P.I.E., 2010. Pp. 258 + illus. €34.50/£31.10/$53.95 Hb.Google Scholar
BRADLEY, LAURA, Cooperation and Conflict: GDR Theatre Censorship, 1961–1989. Oxford: Oxford University Press, 2011. Pp. 336. £55/$99 Hb.Google Scholar
BRADLEY, LYNNE, Adapting King Lear for the Stage. Farnham: Ashgate, 2010. Pp. 274. £55/$99.95 Hb.Google Scholar
BRODZINSKI, EMMA, Theatre in Health and Care. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 240. £50/$75 Hb.CrossRefGoogle Scholar
BUTEL, YANNICK, BIDENT, CHRISTOPHE, TRIAU, CHRISTOPHE AND MAÏSETTI, ARNAU, eds., Koltès maintenant et autres metamorphoses. Bern, Berlin, e.a.: Peter Lang, 2010. Pp. x + 361. SFR 88/€60.70/£51/$87.95 Hb.Google Scholar
COHEN, MATTHEW ISAAC, Performing Otherness: Java and Bali on International Stages, 1905–1952. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 286. £55/$85 Hb.CrossRefGoogle Scholar
CONTEH-MORGAN, JOHN, with Dominic Thomas, New Francophone African and Carribean Theatres. Bloomington: Indiana University Press, 2010. Pp. xx + 210. $24.95 Pb; $70 Hb; $21.20 Ebook.Google Scholar
COOPER, HELEN, Shakespeare and the Medieval World. London: Methuen, 2010. Pp. xiv + 272. £55 Hb.Google Scholar
CURRY, JULIAN, Shakespeare on Stage: Thirteen Leading Actors on Thirteen Key Roles. Pp. xvi + 256. London: Nick Hern, 2010. £14.99 Pb.Google Scholar
DALINGER, BRIGITTE, Trauerspiele mit Gesang und Tanz: Zur Ästhetik und Dramaturgie jüdischer Theatertexte. Vienna, Cologne and Weimar: Böhlau, 2010. Pp. 380. €49 Pb.CrossRefGoogle Scholar
FISCHER-LICHTE, ERIKA, GRONAU, BARBARA AND WEILER, CHRISTEL, eds., Global Ibsen: Performing Multiple Modernities. Abingdon and New York: Routledge, 2010. Pp. 292. £85/$110 Hb.Google Scholar
FREIXE, GUY, Les Utopies du masque sur les scènes européennes du XXe siècle. Montpellier Verlag: Editions L'Entretemps, 2010. Pp. 368. €65 Hb.Google Scholar
GONZÁLEZ, ANITA, Mexico: Dancing between Myth and Reality. Austin: University of Texas Press, 2010. Pp. 183. £38/$55 Hb.Google Scholar
HALLENSLEBEN, MARKUS, ed., Performative Body Spaces: Corporeal Topographies in Literature, Theatre, Dance, and the Visual Arts. Amsterdam and New York: Rodopi, 2010. Pp. 250. €50/$70 Pb.CrossRefGoogle Scholar
HAMMER, ANITA, Between Play and Prayer: The Variety of Theatricals in Spiritual Performance. Amsterdam and New York: Rodopi, 2010. Pp. 430. €86/$120 Hb.Google Scholar
HAYDEN, JUDY A., Of Love and War: The Political Voice in the Early Plays of Aphra Behn. Amsterdam and New York: Rodopi, 2010. Pp. xii + 303. €63/$88 Pb.Google Scholar
HIMMELSEHER, BIRGIT, Das Weimarer Hoftheater unter Goethes Leitung: Kunstanspruch und Kulturpolitik im Konflikt. Berlin: Walter de Gruyter, 2010. Pp. 299. €79.95 Hb.CrossRefGoogle Scholar
HINGORANI, DOMINIC, British Asian Theatre: Dramaturgy, Process and Performance. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 256. £16.99/$28.95 Pb; £50/$80 Hb.CrossRefGoogle Scholar
HOPE, JONATHAN, Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance. London: AC Black, 2010. Pp. 272. £55 Hb.CrossRefGoogle Scholar
HUTCHISON, YVETTE, ed., African Theatre Histories, 1850–1950. Woodbridge and Rochester, NY: James Currey, 2010. Pp. xvi + 184. £17.99/$29.95 Pb.Google Scholar
JACKSON, ANTHONY AND KIDD, JENNY, eds., Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation. Manchester and New York: Manchester University Press, 2011. Pp. xiv + 282. £55/$90 Hb.Google Scholar
JANNARONE, KIMBERLY, Artaud and His Doubles. Michigan: University of Michigan Press, 2010. Pp. 272. $55 Hb.CrossRefGoogle Scholar
JOBEZ, ROMAIN, Le théâtre baroque allemand et français. Le droit dans la littérature. Paris: Ed. Classiques Garnier, 2010. Pp. 589. €69 Pb.Google Scholar
JOHANSSON, OLA, Community Theatre and Aids. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. xiv + 179. £50/$80 Hb.CrossRefGoogle Scholar
KELLY, VERONICA, The Empire Actors: Stars of Australasian Costume Drama 1890s–1920s. Sydney: Currency House, 2010. Pp. xii + 212 + illus. AU$64.95 Hb.Google Scholar
KEMPF, LUCIE AND HOFFERT, YANNICK, eds., Le théâtre au cinéma. Adaptation, transposition, hybridation. Nancy: Presses Universitaires de Nancy, 2010. Pp. 246. €20 Pb.Google Scholar
KOLB, ALEXANDRA, ed., Dance and Politics. Oxford, Bern, e.a.: Peter Lang, 2010. Pp. xx + 348. SFR 80/€54.70/£46/$79.95 Pb.Google Scholar
LANE, DAVID, Contemporary British Drama. Edinburgh: Edinburgh University Press, 2010. Pp. 224. £16.99/$25 Pb; £60/$80 Hb.Google Scholar
LEON, RUTH, The Sound of Musicals. Pp. 128. London: Oberon, 2010. £9.99 Pb.Google Scholar
LIMON, JERZY AND ŻUKOWSKA, AGNIESZKA, eds., Theatrical Blends: Art in the Theatre, Theatre in the Arts. Gdansk: Terytoria, 2010. Pp. 246 + 13 illus. €20 Pb.Google Scholar
LOEHLIN, JAMES N., Introduction to Chekhov. Cambridge: Cambridge University Press, 2010. Pp. 210. £12.99/21.99 Pb; £45/$72 Hb.CrossRefGoogle Scholar
MCATEER, MICHAEL, Yeats and European Drama. Cambridge: Cambridge University Press, 2010. Pp. 236. £50/$85 Hb.Google Scholar
MCMULLAN, ANNA, Performing Embodiment in Samuel Beckett's Drama. Abingdon and New York: Routledge, 2010. Pp. 196. £85/$110 Hb.Google Scholar
MARSCHALL, BRIGITTE, Politisches Theater nach 1950. Vienna, Cologne and Weimar: Böhlau, 2010. Pp. 483. €24.90 Pb.Google Scholar
MAUFORT, MARC, Labyrinth of Hybridities: Avatars of O'Neillian Realism in Multi-ethnic American Drama, 1972–2003. Brussels, Bern, e.a.: P.I.E., 2010. Pp. 241. €28.20/£25.40/$43.95 Pb.CrossRefGoogle Scholar
PAO, ANGELA C., No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater. Ann Arbor: University of Michigan Press, 2010. Pp. 316. £26.95/$29.95 Pb; £71.50/$80 Hb.CrossRefGoogle Scholar
PEARSON, MIKE, Site-Specific Performance. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xvi + 208. £16.99/$29 Pb; £49.50/$85 Hb.CrossRefGoogle Scholar
PUCHNER, MARTIN, The Drama of Ideas: Platonic Provocations in Theater and Philosophy. Oxford and New York: Oxford University Press, 2010. Pp. 266. £19.99/$29.95 Hb.CrossRefGoogle Scholar
RIESCHE, BARBARA, Schöne Mohrinnen, edle Sklaven, schwarze Rächer: Schwarzendarstellung und Sklavereithematik im deutschen Unterhaltungstheater, 1770–1814. Hannover: Wehrhahn, 2010. Pp. 336. €28 Pb.Google Scholar
RIVERA-SERVERA, RAMÓN H. AND YOUNG, HARVEY, eds., Performance in the Borderlands. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. xii + 284. £55/$85 Hb.CrossRefGoogle Scholar
SANT, TONI, Franklin Furnace & the Spirit of the Avant-Garde: A History of the Future. Bristol: Intellect, 2010. Pp. 160. £19.95/$25 Pb.Google Scholar
SELL, MIKE, ed., Avant-Garde Performance and Material Exchange: Vectors of the Radical. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 232. £50/$80 Hb.Google Scholar
SHELL, ALISON, Shakespeare and Religion. London: AC Black, 2010. Pp. 320. £55 Hb.Google Scholar
SIERZ, ALEKS, Rewriting the Nation: British Theatre Today. London: Methuen, 2011. Pp. 288. £16.99 Pb.CrossRefGoogle Scholar
SINGLETON, BRIAN, Masculinities and the Contemporary Irish Theatre. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. viii + 228. £50/$80 Hb.CrossRefGoogle Scholar
STILES, KRISTINE, ed., Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle. Durham, NC: Duke University Press, 2010. Pp. 576. £20.95/$29.95 Pb; £75/$99.95 Hb.Google Scholar
SWINDALL, LINDSEY R., The Politics of Paul Robeson's Othello. Jackson: University Press of Mississippi, 2011. Pp. viii + 234. $50.00 Hb.Google Scholar
TONNING, ERIK, FELDMAN, MATTHEW, ENGELBERTS, MATTHIJS AND VAN HULLE, DIRK, eds., Samuel Beckett: Debts and Legacies. Amsterdam and New York: Rodopi, 2010. Pp. 484. €96/$134 Hb.Google Scholar
TORR, DIANE AND BOTTOMS, STEPHEN J., Sex, Drag, and Male Roles: Investigating Gender as Performance. Ann Arbor: University of Michigan Press, 2010. Pp. 314. £23.95/$26.95 Pb; £62.50/$70 Hb.CrossRefGoogle Scholar
TUDOR, ADRIAN P., LONGTIN, MARIO AND EMERSON, CATHERINE, eds., Performance, Drama and Spectacle in the Medieval City: Essays in Honour of Alan Hindley. Louvain: Peeters, 2010. Pp. 568. €76 Hb.Google Scholar
URBAN, EVA, Community Politics and the Peace Process in Contemporary Northern Irish Drama. Oxford, Bern, e.a.: Peter Lang, 2011. Pp. 303. SFR 66/€45.20/£38/$65.95 Pb.CrossRefGoogle Scholar
VALK, THORSTEN AND FULDA, DANIEL, eds., Die Tragödie der Moderne: Gattungsgeschichte, Kulturtheorie, Epochendiagnose. Berlin: Walter de Gruyter, 2010. Pp. 370. €99 Hb.Google Scholar
WERNER, SARAH, ed., New Directions in Renaissance Drama and Performance Studies. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 226. £50/$80 Hb.Google Scholar
WERTH, BRENDA, Theatre, Performance, and Memory Politics in Argentina. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 272. £52.50/$80 Hb.CrossRefGoogle Scholar
ZURCHER, ANDREW, Shakespeare and Law. London: AC Black, 2010. £55 Hb.CrossRefGoogle Scholar