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THE MYTH OF ‘ABANDONMENT’: FINDING (SEMI-)NOMADIC INHABITATIONS OF ANATOLIAN ANTIQUITIES AMIDST THE LIMITATIONS OF LONG-NINETEENTH-CENTURY TRAVELOGUES

Published online by Cambridge University Press:  07 October 2026

Sean Silvia*
Affiliation:
Princeton University , USA
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Abstract

Descriptions of abandoned ruins abound across the pages of travelogues created by European visitors to Ottoman Anatolia during the long nineteenth century. Yet, remnants of ancient architecture were often less devoid of inhabitation than these authors presented. Some of the most common reusers of antiquities as dwellings were nomadic and semi-nomadic communities, understudied groups in the growing subfield of research on antiquities reuse. Travelogues, with their descriptions of daily life, are vital sources to illuminate such reuse practices. This paper explores how travel authors’ over-assumption of abandonment has perpetuated in contemporary scholarship, especially when inhabitations were of nomadic or semi-nomadic natures. There are many reasons for over-assumption, including orientalism, romanticism, sedentary biases against nomadism and chronological biases against the present in favour of a glorified ‘Classical’ past. Not all causes were malicious, however. Epistemological disconnects over what it meant to ‘inhabit’ a space left authors unsure of what they were seeing. Furthermore, the way they travelled often lacked repeated visits and generally fell in the wintery half of the year, making it more difficult to recognise seasonal inhabitations. This paper proposes methodologies for circumnavigating over-assumptions of abandonment in travelogues. It demonstrates how one can trace nomadic and semi-nomadic inhabitation, even that left unnoticed by the travel authors, through graveyards and changes in vegetation growth eaten by the inhabitants’ flocks. There is great potential for moving beyond abandonment as default assumption to re-evaluate longue durée histories of ancient Anatolian architecture and its afterlives, and, as this is a largely methodological intervention, implications extend beyond this region.

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Type
Research paper
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2026. Published by Cambridge University Press on behalf of The Society of Antiquaries of London
Figure 0

Fig 1. ‘The ruins of Laodicea, Asia Minor’, Allom and Walsh 1839, 86.

Figure 1

Fig 2. ‘The stadium at Laodicea’, William Pars, 1865. a: detail of the shepherds; b: detail of the caravan. Images: The Trustees of the British Museum, Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International Licence.

Figure 2

Fig 3. ‘Denislou. Vue de la plaine du méander, prise du haut du théâtre de laodicée’ (Denisli. View of the plain of the Meander River, taken from the top of the theatre of Laodikeia), de Laborde 1838, pl 34, fig 83.

Figure 3

Fig 4. ‘Ayach. Vue des habitations modernes au milieu des tombeaux anciens’ (Ayaş. View of the modern inhabitations among the ancient tombs), de Laborde 1838, pl 73, fig 153.

Figure 4

Fig 5. ‘Termessos. Ruine des Theaters’ (Termessos. Ruin of the Theatre), Lanckoroński et al1892, pl 12.

Figure 5

Fig 6. ‘Spring, with pointed recesses – Termessus’, Davis 1874, 228.

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Fig 7. ‘Quellhaus’ (water spring house), Lanckoroński et al1892, 59, fig 12.

Figure 7

Fig 8. The condition of the ancient spring house in Güllük Dağı/Termessos in 2011. Photograph: Used with permission of Dick Osseman. https://pbase.com/dosseman/image/142748237.

Figure 8

Fig 9. The condition of the ancient spring house in Güllük Dağı/Termessos in 2026, with growth after the 2025 excavation season. Photograph: author.

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Fig 10. The condition of the theatre in Güllük Dağı/Termessos in 2026, view of the orchestra. Photograph: author.

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Fig 11. The condition of the theatre in Güllük Dağı/Termessos in 2026, view between the seats. Photograph: author.

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Fig 12. Meadow-like Belkıs/Aspendos in 2026. Photograph: author.