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A Flight to Fame, to Oblivion

Published online by Cambridge University Press:  15 September 2016

Gražina Sviderskytė*
Affiliation:
Vilnius University, Faculty of History, Universiteto Str. 7, LT–01122 Vilnius, Lithuania. E-mail: sviderskyte.g@gmail.com
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Abstract

This paper investigates a case study of memory transformation. It looks at an 80-year sequence of complex interactions by which a single tragedy, the transatlantic flight and deadly crash in Germany (now Poland) of two American-Lithuanian pilots, which occurred 17 July 1933, was turned into a lasting phenomenon, a powerful myth (re)shaped by competing memory regimes. A general discussion on memory management and the cultural politics related to this event correlates with the topical issues of the ongoing search for a new conception, or the sense of history as a tool for configuring the future of Lithuania, as well as of some other Eastern European countries.

Information

Type
Regimes of Memory II
Copyright
© Academia Europaea 2016 
Figure 0

Figure 1The local residents and German officials at the Lituanica crash site in Dölziger Forst; photographed in the late afternoon of 17 July or early morning of 18 July 1933: wreckage is seen being piled up, the pilots’ bodies have been removed out from the scene. (Balzekas Museum of Lithuanian Culture, Chicago, IL.)

Figure 1

Figure 2The German and Lithuanian representatives carry the caskets with the airmen’s remains out of the chapel in Soldin on 19 July 1933. (Balzekas Museum of Lithuanian Culture, Chicago, IL.)

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Figure 3The world-famous promotional photographs of S. Darius and S. Girenas. (Balzekas Museum of Lithuanian Culture, Chicago, IL.)

Figure 3

Figure 4The Soviet forensic experts examined the bodies of the pilots, which were embalmed, concealed and ‘discovered’ in Kaunas, Lithuania, and then buried in August 1964. The experts concluded that the mummies of S. Darius and S. Girenas were in too poor condition and could not be restored. (Author’s archive.)

Figure 4

Figure 5The digital full-scale, three-dimensional model of the damaged aircraft and the pilots’ clothing was constructed in 2013 by combining 3D scanning, video/photography, computer modelling and historiographical analysis. (Author’s archive.)