Hostname: page-component-74656f9884-j7cmm Total loading time: 0 Render date: 2026-11-08T11:21:23.290Z Has data issue: false hasContentIssue false

A TOUCH OF TEOTIHUACAN AT IZAPA: THE CONTENTS OF TWO BURIALS FROM GROUP F

Published online by Cambridge University Press:  04 January 2019

John E. Clark
Affiliation:
Department of Anthropology, Brigham Young University, 876 KMBL, Provo, Utah 84602
Thomas A. Lee Jr.
Affiliation:
Department of Anthropology, Brigham Young University, 876 KMBL, Provo, Utah 84602
Rights & Permissions [Opens in a new window]

Abstract

Two burials excavated at Izapa in 1963 have special green obsidian artifacts made at Teotihuacan. We describe the contexts and contents of these burials and consider the significance of their contents in light of Spence's (1996) model of Teotihuacan exchange of obsidian objects. We interpret the Izapa artifacts as gifted objects indicative of the political independence of Izapa in Middle Classic times.

Information

Type
Research Article
Copyright
Copyright © Cambridge University Press 2018 
Figure 0

Figure 1. Overview of Group F. Reconstruction drawing by Eduardo Martínez, courtesy of the New World Archaeological Foundation (NWAF).

Figure 1

Figure 2. Plan of the Mound 125 complex in Group F, showing the locations of Features 30 and 52. Drawing by Eduardo Martínez, courtesy of the New World Archaeological Foundation (NWAF).

Figure 2

Figure 3. Plan and profile drawing of Mound 125a, showing the locations of all features. Drawing by Eduardo Martínez, courtesy of the New World Archaeological Foundation (NWAF).

Figure 3

Figure 4. Plan and profile drawing of Mound 125c, showing the locations of all features. Drawing by Eduardo Martínez, courtesy of the New World Archaeological Foundation (NWAF).

Figure 4

Figure 5. Photograph of Feature 30. Photograph by Mario Vega, courtesy of the New World Archaeological Foundation (NWAF).

Figure 5

Figure 6. Drawing of Feature 30, showing the location of all the offerings. From field drawings by Salvador Ordoñez, courtesy of the New World Archaeological Foundation (NWAF).

Figure 6

Figure 7. Drawings of items found in Burial F-30. Drawings by José Nuñez, courtesy of the New World Archaeological Foundation (NWAF).

Figure 7

Figure 8. Reconstruction drawings of the Dos Arroyos Orange-polychrome pots found in Burial F-30. Drawings by Ramiro Jiménez, courtesy of the New World Archaeological Foundation (NWAF).

Figure 8

Figure 9. Photographs of some ceramic vessels from Burial F-30. Photographs by Mario Vega, courtesy of the New World Archaeological Foundation (NWAF).

Figure 9

Figure 10. Other artifacts found in Burial F-30. Photographs by Carlos Lopez and drawings by Mario Vega, courtesy of the New World Archaeological Foundation (NWAF).

Figure 10

Figure 11. Two views of Feature 52. Photographs by Mario Vega, courtesy of the New World Archaeological Foundation (NWAF).

Figure 11

Figure 12. Drawing of Feature 52. From field drawings by Salvador Ordoñez, courtesy of the New World Archaeological Foundation (NWAF).

Figure 12

Figure 13. Reconstruction drawing of Burial Feature F-52 in its architectural setting, showing the location of the looted Tomb 1 (a.k.a. Tomb 4 in Figure 4) and other urn burials. Drawing by Eduardo Martínez, courtesy of the New World Archaeological Foundation (NWAF).

Figure 13

Figure 14. Vessel 15 of Burial F-52, showing bones and a necklace found in the urn. Photograph by Mario Vega, courtesy of the New World Archaeological Foundation (NWAF).

Figure 14

Figure 15. Drawings of the ceramic vessels found in Burial F-52. Drawings by José Nuñez, courtesy of the New World Archaeological Foundation (NWAF).

Figure 15

Figure 16. Photograph of some vessels from Burial F-52. Drawings by Ramiro Jiménez and photographs by Mario Vega, courtesy of the New World Archaeological Foundation (NWAF).

Figure 16

Figure 17. Perdido Red Painted pots from Burial F-52. Drawings by Ramiro Jiménez and photograph by Mario Vega, courtesy of the New World Archaeological Foundation (NWAF).

Figure 17

Figure 18. Obsidian and red stone bead necklace with a jade pendant from Burial F-52. Photograph by Mario Vega, courtesy of the New World Archaeological Foundation (NWAF).