Until the end of the twentieth century, the study of Hellenistic Babylonia appealed mostly to researchers trained in Classics. When J. G. Droysen published Geschichte des Hellenismus between 1836 and 1843, Akkadian had in fact not yet been deciphered. Classical texts therefore provided the only way in which scholars could understand Babylonia.Footnote 1 When Assyriology developed as a field on its own, researchers focused on Sumero-Akkadian culture; they considered the Hellenistic period to be a decadent time in which Greek culture had infiltrated the native one, to its detriment. With these two perspectives combined, the Hellenocentric understanding of Hellenistic Babylonia was strengthened. In the early 1990s, however, Susan Sherwin-White and Amelie Kuhrt vigorously upended this view. They focused on non-classical texts and documents and thereby stressed the vitality of Near Eastern cultural traditions.Footnote 2 Their challenging work paved the way for intercultural reflection on Hellenistic Babylonia. In effect, the interactions between Babylon and Greece could therefore be developed, by a new generation of researchers,Footnote 3 as cross-cultural, meaning that it is likely that mutual impact was felt in both cultures.Footnote 4 Among them, Stephanie M. Langin-Hooper offers, in the field of archaeology, a useful interpretative model which analyses cultural interactions in their diachronic and multi-directional dimensions.Footnote 5 She assumes the existence of cultural mediators who stimulate interactions between people of two cultural backgrounds sharing a common space.Footnote 6 Over time, the facilitation of exchange may affect the nature of social relationships, so much so that they no longer develop in accordance with cultural factors but rather with social class, age, gender, or profession. This implies numerous combinations which vary depending on the sociocultural background of each participant in a given social interaction.
While cultural mediators merely facilitate these transformations in Langin-Hooper's model, their role is arguably much more central in the spheres of power than in daily interactions. Indeed, in a society which had just transited from one era of foreign rule (the Persians) to another (the Macedonians), the indigenous elite had a key role to play in the shaping of non-native kingship.Footnote 7 This role allowed them to assert their influence, both as an elite group and as a culture, in the face of the new alien power. The Borsippa Cylinder of Antiochos I wonderfully illustrates this phenomenon, as Kathryn Stevens, Paul Kosmin, and Rolf Strootman have shown.Footnote 8 It expresses the meeting of Seleucid regal ideology and Babylonian tradition in the creation of a mixed form of expression of power, which was facilitated by a bicultural and bilingual mediation that had the support of both Greek and Babylonian elites.
1. The Borsippa Cylinder
The excavations of the Ezida temple of Nabû (the patron deity of the city) began in Borsippa (located south-west of ancient Babylon) in February 1879, overseen by Hormuzd Rassam and funded by the British Museum.Footnote 9 During the 1880 archaeological season an intact clay foundation cylinder was unearthed.Footnote 10 It records the restoration of the Ezida temple by Antiochos I, the second Seleucid sovereign, who ruled as leading king from 281 to 261 bce. The document, dated to the twentieth day of the month of Addaru of the forty-third Seleucid year (27 March 268 bce), is the last foundation cylinder in date known to us and the only specimen that mentions a Seleucid king. Its shape, content, and text structure reveal the influence of earlier Mesopotamian royal inscriptions. Based on the evidence of textual irregularities, its composition seems, according to Kathryn Stevens, to be partly the result of a ‘copy-and-paste’ process.Footnote 11
The text of the Cylinder, however, does not conform precisely to the standard image of a Neo-Babylonian or Neo-Assyrian foundation cylinder. Indeed, the selection and organization of a diverse range of earlier components, as well as the insertion of certain elements which are discordant with Mesopotamian tradition, have been interpreted by scholars as reflecting a specific, Seleucid, royal ideology.Footnote 12 Among those deviations that merit particular attention,Footnote 13 I wish to reconsider here, following Susan Sherwin-White, Amélie Kuhrt, Paul Kosmin, and Kathryn Stevens, the mention of the Seleucid queen. With this aim in mind, I will first discuss the reasons for the mention of the queen on the Cylinder and then examine the form of this mention. This will then allow me to reconsider the conceptualization of the Seleucid queenship and the collaboration between the indigenous elite and the Seleucid entourage that was key to creating the queen's titulature.
2. The queen Stratonice
2.1. Mentioning the queen
According to the text of the Cylinder, Stratonice, the second Seleucid queen, her spouse, and her son benefit from the third prayer to Nabû only (col. II, lines 21–9).
…dag Nabû
ibila sag.kal a-na é.zi.da supreme heir, upon your entry to Ezida,
é ki-i-ni i-na e-re-bi-ka the true temple,
sig5-tì man-ti-’-ku-us lugal kur.kur may the good fortune of Antiochos, king of the lands
msi-lu-uk-ku lugal dumu-šú king Seleucos, his son,
fas-ta-ar-ta-ni-ik-ku [and] Stratonice
ḫi-rat-su šar-ra-at his consort, the queen,
da-mi-iq-ti-šú-nu may their good fortune
li-iš-šá-kin i-na pi-i-ka be established by your mouth.Footnote 14
This innovative mention of Stratonice stresses the importance of the queen in the functioning of Seleucid power.Footnote 15 However, while this queen enjoyed an exceptional status, insofar as she married the first two Seleucid rulers (Seleucos I and his son Antiochos I),Footnote 16 her prominence in the Cylinder is, in my opinion, mainly linked to the common position of the queens in the political apparatus of Seleucid power structures and only incidentally reflects her specific personal traits.Footnote 17
Indeed, since the creation of the Seleucid area, the queen had been involved in the presentation and strengthening of the emerging imperial power.Footnote 18 The first Seleucid queen, Apama, was honoured in Didyma by means of a decree, issued in the spring of 299 bce by the Milesians, which sought to thank her for her influence over her son and her husband.Footnote 19 By this document, the cohesion of the Seleucid family was emphasized and its idealized representation promoted in the Mediterranean area. Furthermore, in roughly the same period, Seleucos I named several cities after the queen.Footnote 20 The most emblematic and meaningful of these was the founding of Apameia as a part of the Syrian Tetrapolis, which was a political and ideological construction of the first Seleucid king.Footnote 21 In effect, Seleucos I founded four cities almost simultaneously in northern Syria (an area which he had just obtained via his victory over Antigonos at Ipsos in 301 bce) and named these cities after himself (Seleuceia), his father (Antioch), his mother (Laodiceia), and his wife (Apameia). In this way, he laid the foundations for the embryonic Seleucid dynasty, whose queen, Apama, was definitively identified as a full member.
The political involvement of the queen, which, in my opinion, can be detected as soon as the Seleucid powers began to establish their spatiotemporal continuity, was more clearly formulated under the reign of Antiochos III, the sixth Seleucid king (223–187 bce). In Teos, on the Ionian coast, Antiochos and his queen, Laodice, were honoured
for having granted (ἀφέντες) that the city and the territory should be sacred and inviolate and having released ([π]αραλύσαντες) us, namely the inhabitants of Teos, from the tribute and having accomplished these actions as favours (χαρισ[ά]μενοι ταῦτα) to the people and the corporation of the Dionysiac artists…Footnote 22
The three plural participles used here clearly display political actions taken by the king and the queen, both identified by the Teians as integral to Seleucid power structures.
As shown by these examples, room was made for the queen early on in the configuration of Seleucid rule. First, she is plainly part of the representation of a stable dynasty embodied by a close family.Footnote 23 Then, after five generations, she is identified by the interlocutors of the Seleucid authority as a member of the acting powers, which is often expressed in the plural.Footnote 24 The mention of Stratonice on the Cylinder alongside her son and husband is thus coherent with the political identity of Seleucid queens. In a similar way to Apama about thirty years before her, Stratonice embodies the ruling power in its stability and durability, along with the king and the heir. This may be innovative from a Babylonian point of view, but it was a common manifestation of Seleucid power.Footnote 25
2.2. Composing the titulatures: Antiochos, Seleucos, and Stratonice
In the Greek context, the powerful Seleucid family shared the βασιλεία (kingship) insofar as they bore a royal title; the father and the son were βασιλεῖς (kings) and the mother βασίλισσα (queen).Footnote 26 The Borsippan Cylinder also attests to a shared Seleucid kingship. In the third prayer to Nabû (col. II, lines 24–7), Antiochos is šar mātāti, written lugal kur.kur (‘king of the lands’), Seleucos is šar mārušú, written lugal dumu-šú (‘king, his [Antiochos’] son’), and Stratonice is ḫi-rat-su šar-ra-at (‘his [Antiochos’] consort, the queen’). The Cylinder text is not the first to mention the awarding of the title šar mātāti (lugal kur.kur), originally borne by Achaemenid sovereigns,Footnote 27 to a Seleucid king. The title had already been given to several Seleucid kings, beginning with Seleucos I.Footnote 28 As for the title of Seleucos šar mārušú (lugal dumu-šú), it marks the association of the king's son with the throne. The mention of the king's son can be found on the Cyrus Cylinder, though the heir, Cambyses, is not šar (lugal) as Cyrus but only māru (dumu).Footnote 29 A variant of the title šar mārušú (lugal dumu-šú) is recorded in a sales contract of a prebend from Uruk dated from the end of the reign of Antiochos I (262 bce).Footnote 30 It seems, therefore, that the titulatures of Antiochos I and his son Seleucos that are found in the Borsippa Cylinder preserve phrasing that was frequently used for the king and the crown prince.
What, then, is said of Stratonice? She is described as ḫi-rat-su šar-ra-at. Hīrtu means ‘wife of equal status with her husband’ and šarratu means ‘queen’.Footnote 31 At the time when the Cylinder was created, as Sherwin-White and Kuhrt have noted, both these terms were usually reserved for describing deities.Footnote 32 However, as a parallel to the Cylinder, researchers mention another text dating from the early seventh century bce and engraved at the entrance of a palatial suite dedicated to a queen in Nineveh.Footnote 33 In this text, to which I will return later, the king's wife is characterized as hīrtu, a term which also had divine overtones at that time. Tašmetu-šarrat, one of the two known consorts of Sennacherib (705–681 bce), is named Taš-me-tum-šar-rat mí-é-gal ḫi-ir-tu na-ram-ti-ia (‘Tašmetu-šarrat, the queen, my beloved wife’).Footnote 34 The title mí-é-gal is nevertheless preferred to šarratu, which was used at that time for goddesses and foreign queens.Footnote 35 The combination of the two words (hīrtu and šarratu) is, to my knowledge, only found in the divine titulatures, such as that of Mullissu šar-rat é.šár.ra ḫi-rat Aššur, the queen of Ešarra, spouse of Aššur.Footnote 36 In this case, dating back to the reign of Sennacherib,Footnote 37 the goddess is the queen of an area, the Ešarra temple, and the spouse of a male entity, the god Aššur.
It is difficult to directly connect the examples of Tašmetu-šarrat and Mullissu to the case of Stratonice's titulature in the Cylinder. In effect, both examples refer to the Neo-Assyrian period and not to the Hellenistic one.Footnote 38 By that time, the Seleucid queens were indeed named damFootnote 39 (Akkadian aššatu; ‘spouse’),Footnote 40 gašanFootnote 41 (Akkadian bēltu or šarratu; ‘lady’ or ‘queen’),Footnote 42 nin (Akkadian bēltu or šarratu; ‘lady’ or ‘queen’),Footnote 43 and possibly mí.lugalFootnote 44 (Akkadian šarratu; ‘queen’). Here all four terms seem coextensive, referring to the same power status, since the authors of the astronomical diaries never combine them in a single titulature.Footnote 45 Indeed, naming the spouse of the king (dam-su) seems sufficient to constitute a mention of the queen; it does not require any extra reference to queenship. And when the queen is defined by her queenship (gašan, nin, and possibly mí.lugal), it suffices as a reference to her.Footnote 46
Under the stylus of the scribes of the Esagil, these terms seem to be equivalent. Nevertheless, their use differs depending on the context. Indeed, when the scribes use šarratu (gašan, nin, or possibly mí.lugal) it is because they report, by means of direct speech, news or rather announcements of the Seleucid powers that were heard in Babylon. However, they use aššatu (dam) when they mention the queen in an account of events. For example, when the scribe lists the events of the month of Dûzu in the astronomical diary of 181 bce, he mentions Laodice in the same summary under both denominations.Footnote 47 As he took charge of the account, the scribe presents Laodice as the wife of the King Seleucos and then, when he reported the text spread by the Seleucid authorities, he referred to her as ‘the queen’.Footnote 48 It seems that, for the Babylonian scribe, being the wife of the king or being the queen is equivalent. Only the context dictates the wording to be used. Why then, do the redactors of the Cylinder care about the titulature ḫi-rat-su šar-ra-at (‘his wife, the queen’)? The combined use of both terms seems tautological with respect to the almost identical semantic extension of the words ‘wife’ (aššatu written dam) and ‘queen’ (šarratu written gašan, nin, and possibly mí.lugal) in the astronomical diaries.
An intratextual explanation can be postulated. The titulature of Stratonice enables, as Kosmin first noted, a parallel between the queen and Erûa, both šarratu; more widely it helps to build a comparison between the royal family and the divine triad Marduk, Erûa, and Nabû.Footnote 49 As for the term ḫi-rat-su, it binds Stratonice to Antiochos just as dumu-šú binds Seleucos to Antiochos, and so serves to manifest the Seleucid powers as a nuclear family. Other explanations are, however, possible: for instance, that of an expression of the political status of Stratonice.
According to the CAD, the word ḫīrtu stresses the equality of the spouse in relation to her husband.Footnote 50 If ḫīrtu generally highlights the parity of the spouses (man and woman), the word sometimes also seems to imply a hierarchy between the various consorts of a man in a polygynous context.Footnote 51 The closest-known example of the Seleucid period, dealing in my opinion with this meaning, dates back to the reign of Sennacherib (705–681). As Kertai pointed out, the Neo-Assyrian king is polygynist. He has several consorts, two of whom are named Naqi'a and Tašmetu-šarrat.Footnote 52 While it is certain that these consorts coexisted, their respective status, as Kertai stresses, is debated by scholars.Footnote 53 However, there is agreement that there could be only one queen at once and therefore scholars recognize a hierarchy between the consorts of the ruler.Footnote 54 Thus, when Sennacherib had the dedication (discussed above) ‘for the queen (mí-é-gal), Tašmetu-šarrat, my beloved wife (ḫi-ir-tu)’ engraved in 694 bce on a wall of the palatial suite in Ninieveh, Naqi'a was an ordinary consort of the king. In this hierarchical and polygynous context, the term ḫīrtu, if it marks the equality between Tašmetu-šarrat and Sennacherib, may also imply an asymmetric link between Naqi'a and Tašmetu-šarrat, though both were consorts of the ruler. The uncommon use, at that time, of the word ḫīrtu (for a woman and not a deity), which Sherwin-White and Khurt noticed, could perhaps be explained by the desire to mark the hierarchy between the king's consorts.
In the Hellenistic era, polygamy was practised by rulers, mainly to cement the political alliances they formed.Footnote 55 This is the case, according to Plutarch, of the first Hellenistic kings: Demetrios, Ptolemy I, and Lysimachos, who thus followed the example of Philip and Alexander.Footnote 56 In the Seleucid dynasty, several cases of polygamy are known from the middle of the third century bce. Antiochos II had two spouses at the same time, Laodice and Berenice, just as did Antiochos III, who married Laodice and Euboea.Footnote 57 Polybius reports both weddings of Antiochos III in his Histories. He describes the first of the king's weddings, namely that with Laodice, the daughter of the king of the Pontus, and concludes: ‘after the wedding was over he went down to Antioch, where he proclaimed Laodice queen’.Footnote 58 The proclamation of a woman as queen is therefore not automatically implied by the wedding to the king but must be staged as an extra event.
This also seems to be the case for Euboea, the second spouse of Antiochos III. Once more, the description of the event is written by Polybius, as quoted by Athenaeus:
Antiochos, surnamed the Great, he whom the Romans overthrew, upon reaching Chalcis, as Polybios tells us in his 20th Book, celebrated his wedding. He was then fifty years old, and had undertaken two very serious tasks, one being the liberation of Greece, as he himself gave out, the other a war with Rome. He fell in love, then, with a maiden of Chalcis at the time of the war, and was most eager to make her his wife, being himself a wine-bibber and fond of getting drunk. She was the daughter of Cleoptolemos, a noble Chalcidian, and of surpassing beauty. So, celebrating his wedding at Chalcis, he spent the whole winter there not giving a moment's thought to the situation of affairs. He gave the girl the name Euboea, and when defeated in the war fled to Ephesos with his bride. (Polyb. 20.8 [Ath. 10.439e–f])Footnote 59
No allusions are made in this text to any proclamation of the queenship of Euboea, which leads one to suppose a hierarchy between the wives of the Seleucid king, as was the case for the consorts of Sennacherib.Footnote 60 The hierarchy between the different consorts of a ruler is indeed a possible corollary of the practice of polygyny.Footnote 61 It is supported in the case of Antiochos III by the fact that the king is developing a new political imagination based on affection. This original rhetoric highlights a power couple formed by Antiochos III and his wife, the queen Laodice, whose ties are unswerving since they present themselves as brother and sister.Footnote 62 This unfailing royal couple marginalizes the various unions that Antiochos could form with other women such as Euboea.
In conclusion, during the reign of Antiochos III, being simply the king's wife seems to have been insufficient for taking on the status of queen. The βασίλισσα is thus defined by two components: she is the king's principal wife and the queen of the Seleucid kingdom. Is this not exactly what the titulature of Stratonice in the Cylinder expresses? Stratonice is both the hīrtu of Antiochos I (namely a wife of equal status and principal consort) and the šarratu of the Seleucid area, a Seleucid definition of queenship which expresses itself in Akkadian in a way that seems to follow a model inspired by the Neo-Assyrians.Footnote 63
3. Shaping the Seleucid queenship in cultural interaction
We now have two premises: that adding Stratonice to the beneficiaries of the prayer to Nabû reveals the functioning of the Seleucid power; and that referring to her by the title of ḫi-rat-su šar-ra-at is a way of translating into Akkadian the title βασίλισσα (in the specific sense in which it was understood by the Seleucids). From these, we can infer that Stratonice is mentioned on the Cylinder, and with this specific formulation, because of the institutional requirements of the Seleucid powers. This does not exclude in any way the aforementioned intratextual reading of the Cylinder.
The hypothesis whereby ḫi-rat-su šar-ra-at is taken as the translation of the Seleucid being queen (βασίλισσα) has a double impact: first, on the concept of Seleucid queenship, and second, on the way in which we reconstruct the process by which the text of the Cylinder was created. It implies indeed that, at least from the reign of Antiochos I, the Seleucids thought in terms of polygamy and that a hierarchy of the king's wives was established. From this I infer that access to Seleucid queenship was not granted automatically, and that, consequently, the title βασίλισσα effected a change of status; it distinguished its holder and offered her a status of authority.Footnote 64 Furthermore, the reading offered here means that Seleucid queenship was conceptualized early during the dynasty.Footnote 65
Additionally, this hypothesis reinforces the idea of Kathryn Stevens that the Cylinder is the result of a collaboration between the Borsippan elite and the Seleucid authorities.Footnote 66 Indeed, although the message of the Cylinder's text is intended, in the main, to have a local impact (meaning that it was not intended to be disseminated widely),Footnote 67 the sharpness with which the status of the queen is stated implies a significant involvement of the entourage of the Seleucid royal family in the creation of the text according to the Seleucid regal ideology propagated over the whole kingdom. The Seleucids and the priestly elite needed to find a way to express the status of the queen which made sense to everyone. The discrepancy in the functioning of the queen's titulature between the astronomical diaries of Babylon (the coextensivity of the terms aššatu [dam] for ‘wife’ and šarratu [gašan, nin, and possibly mí.lugal] for ‘queen’) and the Cylinder of Borisppa (the non-equivalence of the terms ‘spouse’ and ‘queen’ [ḫi-rat-su šar-ra-at]) suggest that the negotiation concerned only the Borsippan priestly elite and the Seleucid entourage.
Indeed, given the evidence, it does not appear that the Seleucids attempted to standardize the titulature of the queen in Mesopotamia so as to strictly express the meaning of the title βασίλισσα in Akkadian. The redactors of the Cylinder of Borsippa are the only ones whom we know of who considered ‘to be βασίλισσα’ to be so significant as to warrant translation. This phenomenon therefore highlights the negotiation among elites that enabled both the Seleucid elite to explain the Seleucid kingship and also the indigenous elite to assert their influence as chosen intermediaries. The Cylinder is thus, in this sense, the result of the dialogical functioning of Seleucid power.