et Cerialis quidem alterius successoris curam famamque obruisset: subiit sustinuitque molem Iulius Frontinus, vir magnus quantum licebat, validamque et pugnacem Silurum gentem armis subegit, super virtutem hostium locorum quoque difficultates eluctatus.
Indeed, Cerialis would have outshone the efforts and renown of any other successor; but Julius Frontinus shouldered the burden next. A great man as far as he was allowed to be, he subdued the powerful and bellicose tribe of the Silures with his arms, overcoming both the courage of his enemy and the difficulties of the terrain.
(Agricola 17.2)Footnote 1Frontinus appears only once in Tacitus' Agricola, at a moment in the text where Tacitus is filling in some background, sketching a rough history of the Roman occupation of Britain up to the time when Agricola took over as governor of the province. His appearance is brief, and the momentum of the whole section makes it tempting to see him as a mere footnote in the tale of Agricola's life and career.Footnote 2 I will argue, however, that Frontinus' role in the text is more significant than that. Indeed, it is my contention that he is closely bound up with – and helps Tacitus and his readers to explore – one of the text's most pressing concerns: namely senatorial conduct, status and identity, in Domitianic and post-Domitianic Rome.
I. TRANSITION AND UNCERTAINTY AFTER DOMITIAN
The difference between Domitianic and post-Domitianic is significant, or so the Agricola asserts – at first glance. Indeed, it plays a role in creating these two categories, and in setting them up in opposition to each other. For it was not only Nerva and Trajan who found it expedient to distinguish their reigns from that of their unpopular predecessor; on Domitian's death, the whole of the Roman elite participated in a process of ‘political periodization’ which took pains to distance ‘now’ from ‘then’.Footnote 3 Though Tacitus does not go to the same lengths as some of his contemporaries, the picture he paints of life under Domitian contributes to a widespread damnatio memoriae of the assassinated emperor.Footnote 4 Meanwhile his very act of writing ‘enact[s] the difference between Domitianic and post-Domitianic’, for the Agricola's existence proves (or sets out to prove) that the oppressive conditions which made biography (and therefore life) so difficult previously no longer prevail in the Trajanic present.Footnote 5 The Agricola thus reinforces a story of stark contrasts that was central to the rhetoric of Rome's new imperial government, helping to establish Domitian's principate as a period of corruption, persecution and tyranny, and the succession of Nerva and Trajan as the start of a new age of (or a long-awaited return to) integrity, freedom and benign monarchy.Footnote 6
The reality, of course, was rather more complicated. Nerva may have promised change, but his short reign was characterized by instability and uncertainty, as Romans grappled once more with the spectre of civil war and the vexed question of what was to happen next.Footnote 7 And when the Agricola was published, Trajan's reign had only just begun; moreover, he had not yet returned to Rome from the provinces, and would not do so for another year.Footnote 8 Rome, then, was still in political limbo, waiting to see how this ‘new age’ would turn out;Footnote 9 and the Agricola reflects this sense of transition and uncertainty, even as it celebrates differences between past and present. It expresses optimism, but cautiously: Tacitus welcomes the changes that have begun under Nerva and Trajan, but with syntax (in particular, the striking concessive clause at 3.1) and imagery (of sickness and decay) which stress the slow and fragile nature of that change:
Nunc demum redit animus; et quamquam primo statim beatissimi saeculi ortu Nerva Caesar res olim dissociabiles miscuerit, principatum ac libertatem, augeatque cotidie felicitatem temporum Nerva Traianus, nec spem modo ac votum securitas publica, sed ipsius voti fiduciam ac robur adsumpserit, natura tamen infirmitatis humanae tardiora sunt remedia quam mala; et ut corpora nostra lente augescunt, cito extinguuntur, sic ingenia studiaque oppresseris facilius quam revocaveris: subit quippe etiam ipsius inertiae dulcedo, et invisa primo desidia postremo amatur.
(3.1–2)Now finally our old spirit returns; and although Nerva, at the very start of this blessed new age, united two things which for so long had been separated – the principate and liberty; and although Trajan daily adds to the happiness of the times; and public confidence has begun to put its trust in hope and prayer again, and has become confident that these prayers will be answered and so grown in strength; even so, the remedies for human weakness are naturally slower to work than the diseases themselves; and just as our bodies grow slowly, but die quickly, so it is easier to crush people's minds and spirits than to bring them back to life; for indeed, the pleasure of inaction can insinuate itself, and the laziness we hate at first we end up growing fond of …Footnote 10
The Agricola may crystallize an image of the Domitianic past, in other words, but it does not fully inaugurate the new era. In fact it positions itself at a decisive moment in Roman imperial history when Rome is still hovering precariously between the two ‘periods’.Footnote 11
For some, this is a sign that Tacitus may not be wholly committed to, or convinced by, the rhetoric of the new regime;Footnote 12 but others have noted that his anxiety seems to be focussed particularly on ‘us’, Rome's senatorial elite, who are still languishing in Domitianic mode.Footnote 13 Indeed, the Agricola has sometimes been read as a wake-up call, an exhortatory, even challenging text, in which Tacitus comes across as something of a trailblazer. He sets the ball rolling by breaking the long silence that accompanied Domitian's reign with his ‘newly recovered’ voice (3.3). With the publication of his biography he tests out the acclaimed freedom (especially of speech) which Nerva and Trajan are supposed to have restored.Footnote 14 And in so doing he encourages his peers to follow suit – to stop behaving as they did under the old regime and live up to the opportunities and aspirations of the new age.Footnote 15
This need not make him a mouthpiece for the new emperor, spouting an uncomplicated endorsement of imperial propaganda. In fact, it underlines a problem brought about by that very propaganda, for the clear divide which it insists upon between past and present not only gives Rome's senatorial class the chance to reinvent themselves, it obliges them to do so; but that is easier said than done. On the one hand, much (in theory) has changed: the tyrant is gone, and Rome is now ruled by an emperor who can be styled imperator and ‘the best of senators’,Footnote 16 and who is praised for restoring good relations with the senateFootnote 17 (and who, indeed, was recently a mere senator himself, and owes his position to handful of fellow senators, who masterminded his accession to the throneFootnote 18). On the other hand, Rome is still ruled by an emperor, and one who, for all his civilitas, may turn out (as Tacitus' readers are all too aware) to be as autocratic as some of his predecessors.Footnote 19 That is perhaps why it is all the more urgent for Tacitus and his contemporaries to become ‘Trajanic’ (and establish what that means) before it stops meaning ‘non-Domitianic’. The Agricola, in other words, explores senatorial paradigms and senator–emperor relations at a time when its readers are faced with the chance – and the challenge – of recalibrating them, if only a little. It is not simply about (or for) senators who suffered the ‘nightmare’ of the Domitianic past (as its focus on Agricola may initially suggest), nor simply for (or about) senators who are enjoying the ‘new age’, but for a senatorial class which is still straddling the two, which has yet fully to make the transition from ‘past’ to ‘present’ and turn some of the new rhetoric into reality, if it can.
II. AGRICOLA'S LIMITATIONS AS A ROLE MODEL FOR THE NEW AGE
Agricola himself plays an important role in helping Tacitus and his readers to navigate this difficult transition, to think through the differences (and continuities) between ‘Domitianic’ and ‘Trajanic’, and to reimagine themselves accordingly. He serves as a lens through which we may squint uncomfortably back, of course: a vehicle through which we may re-examine the (difficult) choices that were available to members of Rome's aristocracy while Domitian was emperor; and an exemplum who may help to justify – though not in straightforward terms – certain paths taken, in particular the path of obsequium ac modestia (‘compliance and restraint’), which after all was the path probably taken by Tacitus himself, and by Frontinus, and the emperors Nerva and Trajan, and countless others too.Footnote 20 He is not restricted exclusively to the past, however; indeed, in places in the biography he might almost be seen as a man ahead of his time. Like the British leader Calgacus, he embodies some good old-fashioned Republican virtus;Footnote 21 but he also displays qualities which would not be out of place in a.d. 98. Though quiet and retiring when he comes into contact with oppressive emperors,Footnote 22 he becomes a model leader away from Rome: keen, hard-working, self-disciplined and incorruptible,Footnote 23 he takes his public responsibilities seriously,Footnote 24 he combines a strict sense of justice with a humane degree of leniency, and he restores order to people and places.Footnote 25 These are qualities which other Roman authors have praised in other Roman heroes at different times, but they have a particular resonance in the context of some of Nerva and Trajan's celebrated ‘reforms’, which promised (among other things) to tackle the corruption of the previous regime (without punishing past wrongdoers too heavily)Footnote 26 and promoted diligence as well as integrity in the performance of public office.Footnote 27 Agricola, then, does not merely embody long-lost ideals, but also recently resurrected ones;Footnote 28 and he may therefore function in the biography as a character who points ahead to better times, who figures even as a prototype of the upcoming/ideal ‘Trajanic’ senator.
We cannot, however, escape the fact that, though he may have been more at home there than in his own day, Agricola does not survive to see the Trajanic new age. This is a point which Tacitus stresses emphatically (44.5). Although he comforts himself and his readers with the thought that Agricola's spirit will live on (46.4),Footnote 29 he structures his narrative so that his father-in-law dies just at the moment when Domitian's terrorization of Rome begins to reach fever pitch (45). Indeed, he rejoices in the timing of Agricola's death, which prevented him from seeing the senate house ‘besieged’ and witnessing the murder of many leading men (45.1–3). Agricola, then, not only does not live long enough to see Trajan crowned emperor; he is killed off before Domitian and (significantly) the rest of Rome's elite get their hands really dirty, before everyone becomes mired in the savage horror of the times.Footnote 30 Of course, this allows our hero to hang on to his victim status, shielding him (mostly) from the taint of collaboration; but it also prevents him from becoming an effective bridging figure, for although he shows Trajanic potential, he ultimately remains locked not just in the Domitianic but in the pre-Domitianic past, in so far as he does not live through the defining excesses of that reign. He is of limited assistance, then, for Rome's ‘survivors’; if we are looking to him to help us reinvent ourselves as post-Domitianic senators, we could be forgiven for feeling a little lost. This, however, is where Frontinus comes in.
III. THE IMPORTANCE OF BEING MAGNUS (QUANTUM LICEBAT)
As I explained above, we meet Frontinus in a section of the biography where Tacitus is paving the way for his discussion of Agricola's governorship of Britain by reviewing the previous incumbents of that post.Footnote 31 The focus of the text thus remains Agricola; but this section is structured in a way which also makes Frontinus stand out, for Tacitus presents his (and his immediate predecessor's) time in Britain as a high point in the history of the province – and, indeed, in the history of Rome. Britain's earliest governors, we learn, had acquitted themselves well (14); but they were followed by a succession of men whose management of Britain was characterized by arrogance, injustice, indolence and impotence (16). Then, Tacitus tells us, Vespasian took charge, and the fortunes of the province (and the empire as a whole) enjoyed a revival: Rome's generals became ‘great’ (magni), her armies were outstanding, and the enemy lost hope (17.1).Footnote 32 This paves the way for a mention, first, of Petilius Cerialis, who waged a successful campaign against one of Britain's largest tribes (17.1). And then we come to Frontinus, whom Tacitus compares favourably with his predecessor, as the one man whom Cerialis could not outshine (17.2). Frontinus is thus introduced in strikingly positive terms, as an admirable governor in his own right and an example of a more widespread return to good government across the empire. Indeed, he is not only classed as one of Vespasianic Rome's magni duces; he described as a magnus vir – quantum licebat: ‘a great man – as far as it was permitted’.
That qualification, quantum licebat, is a classic piece of Tacitean innuendo, which adds an extra dimension to – and invites readers to see a much bigger story behind – the description which Tacitus gives of Frontinus' period in office: for it draws attention to the restrictive political system in which he was operating.Footnote 33 Though Vespasian was not regarded as one of Rome's particularly oppressive emperors, it seems that Tacitus cannot refrain from pointing out that the existence of all emperors necessarily had (has?) a limiting effect on the behaviour of Rome's elite.Footnote 34 The phrase quantum licebat, in other words, does not detract from Frontinus' successes; rather, it may enhance them, for it reminds us (if reminder were needed) that all such men had to contend with the controlling and often jealous interference of their imperial masters. It thus establishes Frontinus as a victim of the imperial system, as well as one of its heroes: he was not free to do just as he pleased, but in spite of this he achieved ‘greatness’.Footnote 35
Indeed, aside from Agricola, he is the only person in this biography whom Tacitus explicitly describes as magnus; and this forges an important connection between the two men. Prior to this moment in the text, the adjective magnus has been associated with the kinds of assets which might make a man ‘great’ (virtue, glory, fame), but not with any particular character. As I have noted, we are told at the start of Agricola 17 that under Vespasian Rome's generals once again became ‘great’ (and Cerialis is clearly included in this generalization, though not singled out as Frontinus is for Tacitus to press the point home), before Frontinus is described in the terms discussed above. Then, in chapter 18, we move on from Frontinus to examine the approach and achievements of his successor. Not surprisingly, we discover that Agricola tackled the governorship of Britain with a competence which bordered on brilliance: from the start, he was decisive, proactive, strategically inspired and successful (18.1–4). But these early achievements did not turn his head; touching on a leitmotif which runs throughout the biography, Tacitus insists that Agricola never courted fame (18.5–6).Footnote 36 Yet, in spite of this – and this paradox is an integral part of that leitmotif – his reputation grew (18.6). Indeed, this is the moment, we are told, when Agricola began to be considered ‘eminent and great’: clarus ac magnus haberi Agricola (18.5).Footnote 37 Thus for a second time in two chapters, Tacitus applies the adjective magnus to a specific individual.
As the biography moves on, the rebel leader Calgacus is allowed to use the term slightly differently, to refer to his mounting courage in a speech (30.1), but it is only Agricola whom Tacitus again describes with this adjective; and on each occasion he suggests that his father-in-law's ‘greatness’ was threatened – but not suppressed – by a hostile emperor. When rounding up his account of Agricola's activities in Britain, for example, Tacitus characterizes his conquests in the province as ‘a truly great victory’ (at nunc veram magnamque victoriam, 39.1) in stark contrast to the sham triumph which Domitian had celebrated a few months previously;Footnote 38 and he underlines the fact that it was precisely Agricola's greatness which earned him the hatred of his princeps, for, although Agricola did not boast (we return again to this theme), his qualities and achievements could not be ignored (41). Thus Agricola is forced to adopt even more modesty than comes naturally to him, slinking back to Rome by night and doing everything in his power to efface himself (40.3–4). And this paves the way for Tacitus to conclude his biography with a new definition of heroism. He has been reshaping notions of heroism throughout the text, highlighting Agricola's modesty, diligence and sense of public duty alongside his qualities as a soldier and general; but it is at 41–2 where he drives his point home. First, he comments scathingly on false ideas of ‘greatness’ which place too much emphasis on display: ‘most people, who tend to assess great men (magnos viros) on the basis of their ostentation, saw and watched Agricola and wondered why he was famous, and few could make sense of it’ (40.4). Then, after pointing out the tragic irony of the fact that Agricola's attempts to stay out the limelight were unsuccessful (41.4), Tacitus famously states the moral of his story:
sciant, quibus moris est inlicita mirari, posse etiam sub malis principibus magnos viros esse, obsequiumque ac modestiam, si industria ac vigor adsint, eo laudis excedere, quo plerique per abrupta sed in nullum rei publicae usum ambitiosa morte inclaruerunt.
(42.4)Let those who have a habit of admiring unlawful acts know that is it possible even under bad emperors for great men to exist, and that compliance and self-restraint, so long as industry and energy accompany them, may achieve the same fame which most men achieve through more precipitous courses, dying an ostentatious death without serving the state.
With this sudden intrusion into the text of an almost aggressively didactic voice, Tacitus confronts his readers with his most explicit declaration of the text's underlying argument: that it is possible in times of oppression to retain one's dignity and integrity without having to vaunt one's opposition to the emperor, and that men like Agricola who plug away quietly on behalf of their country (may) deserve greater glory than the famous but ineffective martyrs we meet at the beginning of the work (2).Footnote 39 He follows this up with an account of Agricola's death (which was welcomed, if not hastened by Domitian),Footnote 40 and then enters upon his final summation of Agricola's life, where he again engages the attention of his readers, this time with a gentler, though still coercive, potential subjunctive: ‘You could easily think him a good man, and might gladly think him great’ (44.2: bonum virum facile crederes, magnum libenter). As he draws the biography to a close, in other words, Tacitus returns once more to that adjective magnus, inviting his audience to join him in using it to describe Agricola (in a way which assumes their ready compliance).Footnote 41
Magnus, of course, is not the only noteworthy descriptor which Tacitus uses to characterize his father-in-law. But it is deployed at some important moments in the text when Tacitus invites us to see Agricola as a model for the age; indeed, when he offers us a definitive assessment of what constitutes heroic (or good senatorial) behaviour in tyrannical times. And that is why it is significant that he applies it also to Frontinus; for it suggests that Frontinus may be a forerunner of Agricola in more than one way. Agricola literally follows in his (and Cerialis') footsteps as governor of Britain, improving on their already impressive examples. But the striking qualification quantum licebat, which makes the whole phrase at 17.2 stick in the mind, and therefore ripe for recall when Tacitus uses magnus again so soon afterwards, establishes a more important link between them, for that sets Frontinus up as an earlier example of precisely the same phenomenon we go on to explore with Agricola: that of a man who became great (or as great as was possible) in spite of the oppressive political system in which he served. The plural nouns in Tacitus' defiant declaration that posse etiam sub malis principibus magnos viros esse (words which closely echo his earlier description of Frontinus) are therefore apt, for his biography points us (gently, perhaps even subconsciously) to more than one instance.Footnote 42
IV. FRONTINUS IN THE AGE OF NERVA AND TRAJAN
That is not the only reason, however, why Frontinus' appearance might resonate with Tacitus' readers. For, while Agricola perished before the end of Domitian's reign, Frontinus lived on to become one of the most important political figures of his generation. Tacitus' own political career was not doing too badly at this point: indeed, he had served as consul in a.d. 97, the year before the Agricola was published, and the timing of his consulship means that he must have played a prominent role in the fall-out after Domitian's assassination and Nerva's succession, and probably also in Nerva's adoption of Trajan as his heir.Footnote 43 It seems that Frontinus was even more intimately involved, however, if we are to judge by his subsequent career.Footnote 44 For when Frontinus became consul the year after Tacitus (in February 98),Footnote 45 this was his second time in the role and his consular colleague was no less a person than Trajan himself (who, as it turned out, was just taking over the reins of power at the time, Nerva having died at the end of January). Moreover, Trajan was his colleague again just two years later when Frontinus served as consul for an almost unheard-of third time, this time as consul ordinarius.Footnote 46 Triple consulships in this period were almost exclusively the preserve of the imperial family, so Frontinus' testifies to an exceptional honour.Footnote 47 And the fact that he was chosen to be Trajan's partner twice (the first time by Nerva, the second by Trajan himself), as Trajan made the transition from heir to emperor, marks him out not just as a leading senator but as one of the emperors' closest allies. It seems likely that he was singled out for such distinctions because he had helped Trajan (and possibly Nerva, too) to secure his (/their) accession to the throne.Footnote 48 But his influence did not end there. For when Trajan stayed away from Rome for more than a year after Nerva's death, Frontinus must also have been a prominent member of the small group of senators who temporarily took control of the day-to-day running of the state.Footnote 49 By the time the Agricola was published, then, Frontinus was fast becoming one of Trajanic Rome's most successful, conspicuous and influential statesmen. And that is why the brief reference to him at Agricola 17 could not have passed Tacitus' readers by in the same way as it might do us.
Moreover, in a.d. 98 Frontinus was cultivating a particular public persona which adds another dimension to the role he might be playing within Tacitus' text. The previous year Nerva had appointed him curator aquarum (superintendent of Rome's water supply system), and this had inspired Frontinus to write a treatise about the city's aqueduct network, the De aquaeductu urbis Romae, which was published in 98 or very shortly thereafter.Footnote 50 The purported aim of this text, as articulated in its preface, was to gather together all the information which Frontinus might need as he took up his new post;Footnote 51 but the text clearly has other agenda. Precisely what they are remains a matter of debate, but it is generally agreed that it is a highly politicized work, which offers important insights into some of the rhetoric and ideals which circulated during Nerva's reign (and at the very beginning of Trajan's, too) and particularly into senator–emperor relations in this period.Footnote 52
From its opening sentence, the text marks itself out as being both in tune with and inspired by Nerva's reign, for Frontinus attributes his decision to write it not only to his own conscientious character but also to the model and standards set by the emperor (whose diligence and devotion to the state match those of Frontinus – or vice versa).Footnote 53 Claims to shared ideals and mutually beneficial connections between author and emperor are a common enough trope in Imperial period prefaces; but while many authors sideline their imperial masters as soon as they have paid homage to them, Frontinus continues to invoke Nerva and Nervan (and Trajanic) ideals throughout the text. The diligent approach to public office which his entire treatise embodies, for example, not only embraces the hard-working model enshrined by both emperors, but may also endorse another new(ish) policy – that of putting senators back into the forefront of imperial administration (and diminishing the influence of imperial freedmen in the process); for it underlines how very seriously Frontinus took his new responsibilities, and thus how right Nerva and Trajan were to trust him (and the rest of his class).Footnote 54 His interest in restoring order and justice to a chaotic and corrupt water supply system meanwhile echoes and engages with the emperors' wider interest in addressing the corruption and mismanagement of the (Domitianic) past and restoring Rome to good order (and Frontinus takes care to show himself and Nerva working together within the text to achieve this).Footnote 55 The image which the text presents of a cleaner, more salubrious Rome – the result of their joint efforts (88) – helps to conjure up a sense of Rome entering upon a new and more prosperous age. And the text's closing chapter – which reminds us once more that the irregularities and malpractice of the past will no longer be tolerated, though they are being dealt with as humanely as possible (130) – reinforces the impression that Rome is poised at the start of a new era, with a new ethos to match.Footnote 56 From beginning to end, in other words, the De aquaeductu engages with ideals that were central to the promotion of the new regime. Indeed, it plays a significant role in the creation and propagation of that rhetoric, taking an active part in the same process of political periodization as Tacitus' Agricola by helping to establish a clear dividing-line between ‘the bad old days’ and the prosperous present.Footnote 57
However, it also promotes its author in ways which must nuance our understanding of Frontinus' political agenda. For at the same time as showing great deference to Nerva, the De aquaeductu takes care to present Frontinus as his partner and colleague – and even, on occasion, as his equal. This happens in its opening sentence, where Frontinus' diligence and devotion to the state conspicuously parallel that of Nerva, making the two men almost indistinguishable.Footnote 58 And it continues right through to the close of the text, where Frontinus figures not merely as an intermediary between the emperor and his subjects, helping to implement the new imperial policy, but as the active authority behind the changes which he is announcing; it is Frontinus, after all, who can be thanked for the way past misdemeanours have been handled (he spells this out, 130.3), and it will be Frontinus who descends with the full majesty of the law behind him on any miscreants in future (130.4).Footnote 59 His praise of Nerva is thus framed by key moments in the text which establish not only how indispensable he is to the emperor (indeed, he makes subtle connections between himself and Agrippa, Augustus' right-hand manFootnote 60) but also how similar he is in terms of both approach and importance.
In fact, the extraordinary depth – and exclusive nature – of his expertise on the water supply system, which he flaunts throughout the text, gives him a degree of authority (over this particular branch of the imperial administration, at least) which surpasses that of his sovereign.Footnote 61 A litany of first-person singular verbs (in particular, a recurring inveni – ‘I discovered’) underlines this, and reveals that, however much he may claim to be acting under the auspices of the emperor, it is Frontinus above all who deserves the credit for the improvements which he attributes to Nerva (87–9).Footnote 62 His sedulous efforts, so carefully documented, thus threaten not simply to match but to outstrip the diligence and devotion that (he has been at pains to stress) characterizes his emperor. And the emphasis which he places on the practical and symbolic significance of Rome's aqueduct network – it is not only bound up with the health and very survival of the city (1), it is also a testament to Roman power and supremacy (16, 119.9)Footnote 63 – helps to transform him from a diligent public officer into a guardian of Rome, who holds the life of its citizens and the dignity of its empire in his hands.Footnote 64 While Nerva might also be able to make such a claim, one thing the De aquaeductu underlines is that he now shares that burden with other men: the responsibility – and credit – for the smooth running of Rome do not reside with the emperor alone; what is more (and this is the real innovation), a senator can now say so (if not in so many words).
Frontinus' self-promotion in the De aqueductu, then, not only elevates his own status, and by association that of the whole senatorial class, but also interrogates the power and position of the emperor himself. He sets himself up from the beginning as one of Rome's ‘leading men’ (at Aq. 1, where he notes that the office of curator aquarum has always been held by ‘the foremost men of our state’ – administratum per principes semper civitatis nostrae viros).Footnote 65 Over the course of the text his conscientious approach helps to redefine the role – and extend the authority – of such principes, in accordance with the ethos of the new political age. And that has implications for Rome's reigning princeps.
They need not be subversive, however, or even incompatible with the picture Frontinus paints of himself from beginning to end as one of the emperor's ‘loyal lieutenants’.Footnote 66 Rather, his enterprising engagement with Nerva forms part of a wider exposition and exploration of the (new?) relationship between the emperor and his senators in the post-Domitianic age. Nerva and Trajan both made a show of restoring some dignity and power to Rome's beleaguered elite in the years immediately following Domitian's assassination. In reality, little changed, particularly for the senate as a body; but in the De aquaeductu we see one senator capitalizing on his own new position to lay claim to even greater levels of power and consequence, and thereby to recalibrate the distance – or proximity – between Rome's head of state and the rest of the (ruling?) elite.Footnote 67 Written in what was supposed to be a time of great change, the De aquaeductu (like the Agricola) champions some official reforms in a way which helps to enshrine them as both successful and permanent. And what emerges, among other things, is a new (or refreshingly old) mould of statesman: one who is able to serve his emperor without compromising his own authority or dignity. Indeed, one who (one might say) combines obsequium and (the appearance of) modestia with industry, vigour and service to the state; and who becomes great.Footnote 68
V. FRONTINUS AS A ROLE MODEL FOR THE READERS OF THE AGRICOLA
Now it is unlikely that Tacitus had read much, if any, of the De aquaeductu before he completed the Agricola.Footnote 69 However, he and his readers would have been aware of the approach that Frontinus was taking in his new appointment, and of the example he was thus setting. Indeed, evidence from contemporary authors suggests that Frontinus' attitude to public office turned him into something of a benchmark against which other men – and models of behaviour – could be weighed up. In Epigrams 10.58, for example, Martial trades not only on his shared leisure time with Frontinus but also (I think) on Frontinus' industrious reputation and importance as a representative of the new age to dramatize his own growing detachment from Trajanic Rome.Footnote 70 And for Pliny the Younger, too, Frontinus serves as a useful touchstone. Pliny exploits Frontinus' public stature to boost his own: for example, in Epistles 4.8.3, where he congratulates himself not only on having succeeded this princeps vir in the post of Augur but also on having been (repeatedly) nominated by him to do so (mihi vero illud etiam gratulatione dignum videtur, quod successi Iulio Frontino principi viro, qui me nominationis die per hos continuos annos inter sacerdotes nominabat, tanquam in locum suum cooptaret).Footnote 71 And he draws Frontinus into revealing comparisons with other men too: for example, in 9.19, where Frontinus' (not so) self-deprecating refusal of a physical monument is contrasted with the approach of another eminent statesman (Verginius Rufus, who did want an epitaph inscribed on his tomb).Footnote 72 Frontinus and Verginius Rufus come under scrutiny here as much for the wider lessons that can be drawn from their differing attitudes, of course, as for their own sakes; and Frontinus figures as a representative of a wider phenomenon, not just an individual, in the Panegyricus too. Indeed, there he is paraded as a shining example of the age, whose third consulship testifies to the renewed status of the senate in Trajan's ‘new’ Rome – and, of course, to Trajan's enlightened government.Footnote 73 Frontinus was, in other words, not simply a useful yardstick against which the choices and merits of various personalities could be measured; he was deployed as a paradigm (along with other great role models of the age) in broader contemporary debates about (shifting) approaches, standards and conditions in Roman public life.
And that is why I think it is possible that Frontinus takes on a role in the Agricola similar to that of Agricola himself. Indeed, in one respect (as I have indicated) he may be even more significant. For, although Agricola has much to teach a readership which is still grappling with the differences between Domitianic and Trajanic, and with the task of reinventing (or re-presenting) themselves for the ‘new age’, the paradigm he embodies is no longer (so) relevant: for Rome, in theory at any rate, is no longer suffering under malis principibus. Tacitus himself may serve as a more up-to-date role model, for while he identifies closely with those who (barely) ‘survived’ Domitian, he also takes a lead in embracing the changes that have come with Nerva and Trajan. As we saw, however, his persona in the Agricola remains conflicted, for his new identity as a re-empowered author and senator is overshadowed by lingering uncertainty and anxiety; so while he may endorse the need for change, he does not constitute an entirely successful example of it.Footnote 74 Frontinus, on the other hand, does: for when the Agricola was published, he was busy parading himself as a new generation senator (and outlining exactly what that might mean in the process); but Tacitus also reminds us of his Flavian past. He is thus able to serve as a bridging figure in a way which Agricola (and Tacitus) cannot: he experienced life under the previous dynasty (and, while he conducted himself creditably under Vespasian, he must also be implicated along with Tacitus and the rest of the elite in the degeneration of the senate described at Agricola 45), but he is not stuck there; indeed, he has been a important figure in helping Rome to move on. Tacitus' brief mention of Frontinus at Agricola 17, and the verbal and ideological connections established between him and Agricola as the text progresses, thus nudge readers in the direction of a living example not just of what Agricola once was, but also of what Agricola might have been, had he lived on; and (more significantly) what Tacitus and his readers must themselves become: a senator who has navigated his way (heroically) through difficult times to reinvent (or perhaps merely reassert) himself in the new age.
Tacitus does not hammer the point home; indeed, he may not even make it intentionally. Frontinus' presence in the Agricola does not furnish his readers with a straightforward solution (any more than Agricola himself does), nor does it make the biography a (more) optimistic text (although this flattering nod to a man so close to the emperor could be taken as a flattering nod to the regime itselfFootnote 75). But his brief appearance, along with the wider associations that it triggers, does add an extra dimension to Tacitus' reflections on the process of transition and transformation and the questions of conduct, status and identity facing Rome's elite. In other words, far from being a passing reference in another man's story, Frontinus features as a significant reference point in a story that concerns all Tacitus' readers. And for that reason he should become a more significant reference point for us, too; he and his De aquaeductu deserve a more central place in discussions of Tacitus and other contemporary authors, and of the political period they belonged to.