To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter addresses South Pacific’s complex racial politics not only through an analysis of its narrative, World War II historical context and yellowface performances but also through an exploration of how the musical organises affect, a slippery, knotted and somewhat vague term that in the final analysis comes to mean the capacity to move and be moved. Taking into account James Michener’s collection of short stories Tales of the South Pacific (1947), several of which inspired the musical, the chapter addresses how racism and anti-racism resonate in the musical, the creation and embodiment of its Asian and Pacific Islander (API) characters and its promotion of American liberalism. It also discusses in depth the 2021 Chichester Festival Theatre production directed by Daniel Evans and its re-envisioning of the character Bloody Mary, played by Joanna Ampil, and her song ‘Happy Talk’.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.