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This chapter combines a focus on the scenic trajectories of Antigone and Creon with analyses of the tragedy’s choral songs. It traces the ways in which the characters’ actions, speech and deliberations are conditioned by the extent to which they understand (or misunderstand) the play’s complex reality. It argues that beyond the ethical conflict between them and questions of law and justice, both characters are presented in their own way as paradigms of human vulnerability and the limits of reason. Although Antigone’s action is eventually vindicated, it is not explicitly acknowledged by the gods, at least in her lifetime; instead, by the end of the play, her sacrifice appears to have been mere collateral damage in the gods’ plan to seek compensation for the exposure of Polynices’ corpse. Creon, because of his error of judgement in forbidding Polynices’ burial, undergoes a violent reversal of fortune from powerful and authoritative ruler to a ghost of a man. In the background, a pattern of divine control is interwoven with human agency in ways that are difficult to disentangle, both for the characters and Chorus and for the audience.
Antigone is the only character in Sophocles who explicitly purports to value philia above hatred. She does so in the course of a short dialogue, central to the play, which turns on the nature of philia and enmity.
Chapter 5 looks at funeral denial and perversion in Statius’ Thebaid. The discussion of these motifs in Statius’ poem focuses on Creon’s funeral abnegation decree at Thebaid 11.661-4. This point marks the official moment when death rites are denied, but the theme has been building steadily over the course of the epic. The chapter also considers a series of bizarre funeral perversions, particularly the funerals for the fallen Argive leaders, all of whom receive a warping of traditional rites. It examines also the role of women and their attempts to provide funerals for their loved ones, specifically Hypsipyle, Argia and Antigone, and the Argive women. The final section details Iris’ ‘preservation’ of the dead Argive leaders, and the strange case of Maeon’s corpse in book 3.
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