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Recognising the processes of social marginalisation to which they were subjected, some patients found rhetorical power in their disadvantaged position. They used asylum periodicals to challenge the distinction between sanity and insanity, evoke sympathy and better understanding, and foster a sense of solidarity among fellow inmates across institutions. These sentiments found their clearest expression in Excelsior (1857–1878), the publication of the James Murray Royal Asylum in Perth, Scotland. Though edited by the physician superintendent, William Lauder Lindsay, this periodical was especially militant in its attack on the misrepresentation of mental illness and keen to cultivate a sense of an existing tradition of lunatic literature and a cross-institutional imagined community of patients. This chapter assesses the successes and failures of this mission. Despite tensions and antagonism behind the scenes, it argues that Excelsior was a space where the clashing voices of different actors could be reconciled and united around the common goal of representing the asylum and its inhabitants before the outside world.
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