This paper argues that the early loss of Euripidean plays attested in the biographical tradition was limited to satyr plays. It contends that satyr drama was excluded from the archival copy of the works of Aeschylus, Sophocles and Euripides that was made on the initiative of the Athenian statesman Lycurgus in approximately 330 BC, reflecting the absence of the genre from contemporary revivals of old plays at the Great Dionysia.