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In Leviathan Hobbes’s attention newly focuses on the practice of governing. There are five new chapters (22–-25, 27–28) on matters of government structure and policy which would concern a real ruler – in the obvious, immediate instance, Charles, the Prince of Wales. Versus the familiar theoretical question of whether Hobbes’s absolute ruler would have reason to govern well, good government is the subject of these chapters in a more practical vein. Like the policy binders prepared for incoming governments today, they advise on such domestic programmes as taxation and criminal justice and counsel the ruler to maintain control in relationships with subordinates. First, it is of interest to compare Hobbes’s ideas with Stuart and Tudor policies so as to assess their currency: How modern was his political thinking? Second, from a philosophical angle, these discussions are salient to current interpretations of Leviathan as a model of nonideal theory. Hobbes is telling rulers how to create a decent state in the context of real-world politics, a state that – albeit in necessarily imperfect ways – serves the public welfare, their subjects’ good, and their own.
The Tudor and Stuart inns of court were major centres of learning and literature, as well as professional associations of practising lawyers. This book sketches the evolution of the inns from their medieval origins and traces the dramatic impact of the societies' rapid expansion through the Elizabethan era and beyond. Prest's comprehensive study based on original sources surveys the structure and functions of the inns, outlining key aspects, from tensions between junior and senior members to the nature and effectiveness of their educational role. Its lively prose locates the inns within the cultural, political, religious, and social context of Shakespearean and pre-civil war England. This corrected and revised second edition of a classic work addresses recent scholarship on the early modern inns of court and includes a new chapter introducing the book to twenty-first-century readers.
Even though Shakespeare openly dramatizes aristocratic shows in his own plays, the circumstances of early modern performance at court have received relatively little critical attention. With so much written on the playwright's wide and multi-layered audiences, the entertainment of the court itself has too long been dismissed as a secondary issue. This book aims to shed fresh light on the multiple aspects of Shakespearean performances at the Elizabethan and early Stuart courts, considering all forms of drama, music, dance and other entertainment. Taking the specific scenic environment and material conditions of early modern performance into account, the chapters examine both real and dramatized court shows in order to break ground for new avenues of thought. The volume considers how early modern court shows shaped dramatic writing and what they tell us of the aesthetics and politics of the Tudor and Stuart regimes.
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