This article contributes to the study of fascist “New Europe” propaganda by initiating a poetological inquiry into literary journalism—more specifically into literary reportage—a widely used yet underexplored genre for disseminating fascist internationalism. It shows how temporally focused analysis can illuminate representational dynamics between the center and east European peripheries by explicating the modernist speed-aesthetics in both German- and domestically focused reporting by Juraj Gajdoš Breza, a reporter of the Slovak State (a satellite of Nazi Germany, 1939–45). The first section introduces the genre of literary reportage in the context of fascist(-affine) propaganda; the second analyzes Breza’s use of montage to convey the modern speed-experience. The third situates his work within alternative modernism by contrasting it with anti-modernism; also typical of east European self-conceptualizations within the fascist international order. The final section explicates Breza’s speed- and adrenaline-mediating devices, which render Slovak-German “friendship” appealing as a path to modernization, in contrast to communist and anti-modernist literary reporting