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The Classic Maya civilization (250–925 CE) in Mesoamerica innovated a hieroglyphic script that was written and read by people spread across hundreds of square kilometers and dozens of autonomous kingdoms over the course of more than a millennium. Yet, unlike other regions of the ancient world where writing was independently invented, the Maya area was never politically unified. In Religion, Writing, and the Shaping of the Classic Maya World, Mallory E. Matsumoto draws on hieroglyphic texts, imagery, and archaeological finds to reconstruct interactions through which the Classic Maya exchanged knowledge about their hieroglyphic script and how to use it. She argues that religion and ritual practice were central contexts for maintaining a coherent, mutually intelligible writing system in the absence of political centralization. The Classic Maya case challenges long-standing assumptions about the social forces underlying the origins of early writing. It also reveals religion's potential to shape human culture and technology. This title is also available as Open Access on Cambridge Core.
Among several current approaches to morphology, Natural Morphology is characterized by three general assumptions. First, linguistic signs are based on a general semiotic understanding of language as a cognitive tool specific to human beings. This is couched within C. S. Peirce’s conception of signs as organized according to their constructional properties and manners of referring to their interpretation as diagrams, indexes, and symbols. Second, this semiotic basis provides the heuristic means to assess the naturalness of morphological coding in terms of, among others, diagrammaticity and indexicality. Third, by referring to a semiotically defined morphological naturalness, one can assess the normalcy of a historically given linguistic system as a result of dynamic and partially conflicting systemic and extra-systemic forces (external evidence coming from such areas as language history, acquisition, pathology, or sociolinguistics. This complex picture grasps the speakers’ natural behavior as semiotic animals producing and interpreting complex signs, and at the same time, the impact of the linguistic systems reflecting different interacting and conflicting forces.
The chapter examines the semiotic, cognitive, and functional foundations of Natural Linguistics, highlighting their significance in Natural Phonology and their subsequent adaptation in Natural Morphology and Natural Textlinguistics. The contribution of semiotic principles, particularly of Peircean semiotics, is emphasized as a crucial metatheoretical framework for understanding language. The most influential publications and recent advancements are reviewed. The chapter highlights how semiotic, cognitive, and functional bases can be interdependent, convergent, or conflicting, and that their influence varies across different linguistic subtheories. The impact of semiotic parameters is shown in the gradual diachronic transformation of phonological processes into morphonological rules. Text and discourse structures are also analyzed through the lens of semiotics, with grapholinguistics presenting new opportunities for understanding writing as a secondary semiotic system. In sum, this chapter illustrates the extensive interplay between semiotic, cognitive, and functional factors across linguistic domains, affirming NatLing’s comprehensive approach to understanding the intricacies of language.
Astrobiology, the search for life in the universe, raises critical philosophical questions concerning conceptual vagueness and epistemic uncertainty. The philosophy of astrobiology can be defined as the systematic study of general and fundamental questions concerning the potential existence and detection of extraterrestrial life. This chapter explores the philosophical foundations of astrobiology, focusing on how we conceptualize and seek knowledge about life and intelligence beyond Earth. It examines the challenges of defining ‘life’ and ‘intelligence’ in ways that are not constrained by Earth-centric assumptions, emphasizing the problems of analogy, universality, and the limitations of having only one known biosphere. Epistemological issues arise from the difficulty of interpreting ambiguous data, the theory-ladenness of observation, and the risk of misattributing signs of life or intelligence. Astrobiology is above all a cognitive challenge of the terrestrial bio-culturally evolved human mind.
As Korean cultural genres circulate globally, they acquire local meanings that may travel back to Korea, generating additional connotations. Drawing upon semiotic theory from linguistic anthropology, this article examines the resemiotization of morpheme “K-”, tracing how it detached from a few lexical items to become a productive morpheme and index of Koreanness in global cultural production. K-’s entextualized iterations take on new meanings across contexts, disrupting straightforward notions of transnational circulation. Global circulation in turn shapes domestic usage, reflecting the iterative relationship between consumers and Korean industry. While terms like K-drama and K-beauty remain relatively stable, newer ones like K-culture and K-wave are more open to negotiation. Ethnographically following K- across online and offline spaces, this study argues the morpheme emerges as a domestic index of outward-facing possibility—a locally global orientation—underscoring language’s pivotal role in shaping and advancing Korea’s national brand.
This special issue pursues a social semiotic study of improvisation. The approach considers the phenomenon both as a constitutive dimension of action and as a socially recognizable achievement. Contributions share a common focus on interaction, which is analyzed across multiple modalities including virtual reality, heavy machinery, paint and canvas, rock, theater, war, and the ethical relation between self and other.
This roundtable discussion convenes contributors to this special issue for reflections on the diversity of their research questions, approaches, and findings, as well as avenues for further inquiry. The discussion touches on several shared concerns, including the role of lexicalization in improvised forms becoming intelligible, enregistered, and reusable; how improvisational action might implicate action below the threshold of awareness; and more generally the relation between sign-processes and embodied action. In doing so, this roundtable discussion considers the importance of social semiotic analysis for understanding improvisation.
Hallyu, or the “Korean Wave,” has evolved from a regional phenomenon into a global force shaping media, consumption, and international perceptions of South Korea. As Korean cultural products circulate worldwide, they operate as instruments of soft power while being reinterpreted through local histories of race, gender, class, and nation. Moving beyond media and cultural studies approaches, this special issue foregrounds language and semiotics as central to processes of circulation, advancing a sociolinguistic and linguistic anthropological perspective on how Korean popular culture is localized, resemiotized, and negotiated across transnational digital networks. The contributions examine how mediatized discourse and diverse engagements with Korean genres shape the global circulation of Korean popular culture across linguistic, cultural, and ideological boundaries. Rather than treating hallyu as a homogenous export, the issue conceptualizes it as an ongoing set of projects in which various actors negotiate authenticity, modernity, and belonging, underscoring how language mediates global cultural flows.
This article examines the semiotics of epistemic politics surrounding climate change denial on Tangier Island, Virginia, a shrinking inhabited island in the Chesapeake Bay, USA. Using long-term ethnographic field research, the paper analyzes how islanders’ professed disbelief in climate change functions not as ignorance but as political and poetic positioning. Denial is treated as a symbolic act, not reducible to misinformation or scientific illiteracy, but shaped by classed and embodied relations with state knowledge regimes, media discourses, and environmental governance. Drawing on Peirce’s pragmatism and Jakobson’s poetics, the article frames climate denial as both an imposed stereotype from without and an identification strategy from within, connected to multiply indexed relationships. To that end, the article advances a semiotic approach to climate politics that centers affect, professed belief (creed) and epistemic stratification.
Chapter 5 tackles the meanings and emotions an image can afford through its contents and form. The body of the image refers to the characteristics of the image, its visual features, pictorial composition, and material form, and how those together afford certain meanings and interpretations of the image in a specific moment in its life trajectory. The visual interpretation method is presented then applied on a case example of street poster images.
Legg draws on Charles Peirce’s semiotics to help explain the semantic limitations of genAI software. Early AI developers were stymied by the assumption that meanings are discrete, abstract, and internal and by an approach that disallowed the growth of meaning. Legg describes some of the progress on AI that has been made in recent years but argues that some of its remaining weaknesses stem from a failure to understand that semiosis occurs in three fundamentally different ways: symbolicity, indexicality, and iconicity. Contemporary genAI systems never go beyond symbolicity to instantiate indexical signs, which are required to point to the world external to those systems, and they are not sufficiently constrained by iconic signs, especially those that would bring logical structure. Legg also critically considers claims that genAI will enable new achievements with regard to knowledge and truth, as well as claims that it will further erode our collective grasp on truth. Drawing on Peirce’s realism his view of inquiry as essentially social, Legg explains how we can reconceive reality, truth, and knowledge so as to avoid mistaking the texts created by genAI for genuine knowledge.
How did the living world – bodies, time, motion, and natural environment – frame the art of early medieval Britain and Ireland? In this study, Heather Pulliam investigates how the early medieval art produced in Britain and Ireland enabled Christian audiences to unite with and be 'dissolved' in an intangible divinity. Using phenomenological and eco-critical methodologies, she probes intersections between art objects, the living world, and the embodied eye. Pulliam analyses a range of objects that vary in scale, form, and function, including book shrines, brooches worn on the body, and reliquaries suspended in satchels. Today, such objects are discussed, displayed, and illustrated as static rather than mobile objects that human bodies wore and that accompanied them as they travelled through landscapes animated by changing weather, seasons, and time. Using the frame as a heuristic device, she questions how art historical studies approach medieval art and offers a new paradigm for understanding the role of sacred objects in popular devotion.
This essay explores William James’s debt to Charles Peirce, arguing that this debt is integral to pragmatism’s historical use-value for studies of race and racism. Scholars of race have historically found pragmatism useful because of its anti-foundationalism. A philosophical stance resistant to abstraction and ossification, pragmatism’s emphasis on continuity through adaptation makes it useful for dismantling racial essentialism while preserving the experience of social and historical continuity necessary for the ongoing recognition of disenfranchised groups. In the late nineteenth century, however, pragmatism failed to reckon with the systematic denial of power and representation to racialized subjects. I argue that this failure is inseparable from pragmatism’s weddedness to the concept of experience and that a deep dive into how pragmatists have relied on this concept to negotiate the relationship between mind and body reveals the racial contours of its genealogy. Transforming what for Peirce was a methodological rule for scientific investigation into a theory of Truth, James imagined a world made entirely of subjects rather than objects. In so doing, he also dismantled the dialectical aspect of Peirce’s principle and the semiotics on which it depends. As this essay argues, James’s pragmatism does have potential for interpreting the history and significance of race. This potential, though, lies less in its anti-foundationalism than in its materialism and a reclamation of Peirce’s more dialectical model of embodied consciousness.
In eighteenth-century Britain, insects like fleas and lice not only commonly troubled corporeal existence but also received notice in poetry and prose. In contrast, Fielding’s Tom Jones avoids any mention of insects at all. Why? A neoclassical aesthetic explains Fielding’s omission of those aspects of terrestrial life thought to be unworthy of representation. Grounded in the Great Chain of Being, the novel expresses an androcentric view also observed in poets like Alexander Pope. Fielding’s theological and aesthetic commitments also explain the existence of his little-known satire attacking a significant myrmecological work by his cousin Arthur Gould: according to Fielding’s scathing response, humans alone – not insects like ants – deserve the spotlight. As expressed in his satire and elsewhere, Fielding’s agenda belongs to what biosemiotician Wendy Wheeler has called the “semiotic disenchantment” of the world. It also helps to explain why insects go missing.
In this article, we investigate the semiotic practices of Filipino K-pop fans (KpopStans) who supported the 2022 presidential bid of former Philippine Vice President Leni Robredo. Through digital ethnography, we analyze the ways in which fans entextualized and resemiotized signifiers of K-pop (e.g., lyrics, imagery, fancams) to create hybrid political messages that translated familiar fandom aesthetics into forms of electoral participation. We argue these practices constitute “civic stanning”—enactments of fan-based citizenship that leverage the cultural resonance of K-pop to build solidarities around Robredo, exercise political agency, promote values of conviviality and progress, and navigate the restrictive political climate of the Philippines. The study highlights the role of popular culture in mediating transnational flows and shaping emergent modes of political activism.
The structural focus of linguistics has led to a static and modular treatment of meaning. Viewing language as practice allows us to transcend the boundaries of subdisciplines that deal with meaning and to integrate the social indexicality of variation into this larger system. This article presents the expression of social meaning as a continuum of decreasing reference and increasing performativity, with sociolinguistic variation at the performative extreme. The meaning potential of sociolinguistic variables in turn is based in their form and their social source, constituting a cline of ‘interiority’ from variables that index public social facts about the speaker to more internal, personal affective states.
The treatment of Rome and its history in Ennius’ Annales has received significant scholarly attention in recent years. This work has shown well that the epic sets the city at the centre of a widening Roman world, thereby making it a cosmic hub of space and time. Such epic transformations also transform perspectives on the past and the present. What of Rome in the rest of Ennius’ wide-ranging literary output? How does the tri- or quadrilingual former Rudian approach his new unelected home and its socio-cultural practices in genres beyond epic? Taking into consideration the representation of (urban) space, monuments, social practices (especially ritual acts, praise, and elite self-presentation), and intersectional conceptions of Roman identity, this chapter examines the ways in which Ennius’ writings construct and reflect Rome qua city and set of cultural values and perspectives. The Scipio, Ambracia, and Sabinae anchor the chapter, but the contribution also uncovers key themes in less expected places, with some comment on the epigrams, Hedyphagetica, and philosophical works.
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Part I
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Modes of Minding Social Action: Bodily Indices of Unity, Dimensional Icons of Rank, Concrete Matching Operations of Equality, Arbitrary Symbols of Proportions
This chapter considers why conformation systems matter for scholars studying any aspect of human sociality; the importance of the book’s compilation of many hundreds of instances of conformations; how each of the four evolved dispositions for conforming constitutes a niche for the cultural evolution of congruent practices, artifacts, art, and architecture; and the selective forces on cultural practices and institutions in those niches.
The four fundamental forms of sociality structure our relationships. By comparing hundreds of cultures across more than 5,000 years, this book builds on relational models theory to reveal how each of the four basic types of relationship is conceived in their own distinctive cognitive medium. The text demonstrates how people use their food and bodies to foster affiliation, spatial dimensions to form hierarchy, concrete operations of one-to-one matching to create equality, and employ arbitrary, conventional symbols for proportion-based relationships. Originating from the author's ethnographic fieldwork in a West African village, this innovative social theory integrates findings from social, cognitive, and developmental psychology, linguistics and semiotics, anthropology, archeology, art history, religious studies, and ancient texts. The chapters offer compelling insights into readers' everyday social relations by showing what humans think their social relationships actually are.