This chapter makes the case for a genealogical, periodical-centred approach to the study of African literature. It argues that the overlooked genre of the newspaper column provided a convivial space for literary experimentation and the generation of alternative literary forms in colonial African contexts. In particular, it highlights the emergence in the periodical press of satirical street literature, a genre that takes African street life as its subject matter and registers its unique dynamics in aesthetic form. Reading two influential examples – R. R. R. Dhlomo’s ‘Roamer’ column and Alex La Guma’s ‘Up my Alley’ – this chapter argues that periodical street literature can be understood as an alternative mode of literary world-making in relation to dominant teleologies and narrative templates. The chapter asks how the inclusion of this ephemeral literary archive reframes understandings of Black city writing in colonial contexts and traces a possible genealogy of afterlives and echoes in the wider world of letters

The sixteenth- and seventeenth-century English vocabulary witnessed a sort of revolution due to the massive influx of new words and coinages primarily from classical languages. They were largely introduced by scholars to supply English with an appropriate terminology for fields traditionally dominated by Latin, but also to provide the richness of vocabulary (copia verborum) considered the hallmark of a literary language and Renaissance rhetoric as well as a sign of education or social superiority. Their ‘artificiality’ and ‘abstruseness’ provoked a fierce debate among purists and innovators, and made necessary the production of dictionaries that explain such ‘hard words’, and often attest them for the first time. A sign of the creativity of these centuries, most of them remained in the language and contributed to shaping the structure vocabulary, thanks also to the role played by monolingual dictionaries. A text-corpus analysis of new coinages derived from ‘hard words‘ dictionaries in a so-far neglected genre – namely early modern street literature texts (pamphlets, broadsheets and ballads) devoted to monstrous births – will shed light on the mechanisms of their diffusion.

Though it comprised the most circulated and consumed artefacts of the nineteenth-century literary marketplace, Gothic ‘street’ fiction nonetheless has occupied a critical blindspot in literary histories. Notwithstanding their evanescence, short, cheap Gothic works proliferated from the 1770s to the 1880s, appearing in millions of copies to satisfy the demands of a rapidly expanding reading public. This chapter explores the development of street literature, from its early, short bluebook format (1780–1830) to its later incarnation as the penny blood serial (1840–1870). The origins of street Gothic in prose forms and the print culture dynamics are considered, alongside close analysis of key themes, plots and tropes of the bluebooks and penny bloods. The chapter concludes by considering the twilight of street Gothic, with the emergence of the penny dreadful (1860–1900), which was aimed at a juvenile male audience. While literary scholarship has dismissed both as minor, derivative examples of Gothic literature, the chapter argues for the significant contribution made by a rich and dynamic network of authors and publishers.