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Essays examining Arthurian and Chronicle texts, contexts, and reception, in honour of Fiona Tolhurst's contributions to Arthurian Studies.
In her all-too-short but ground-breaking academic career, Fiona Tolhurst made significant contributions to the discipline of Arthurian Studies, advancing, amongst much else, understanding of Geoffrey of Monmouth, Arthurian Women, the English Mortes, and modern Arthuriana, including cinematic versions of the legend. The essays assembled here reflect her commitment to explication of Arthurian and Chronicle texts and contexts. Several engage with Geoffrey of Monmouth, examining, among other topics, the depiction of women in his narrative of British origins; the function of giants and significance of landscape and geography in his writings; the contrast between Geoffrey's Trojan-British empire and the Graeco-Egyptian foundation narratives of Scottish and Irish chronicles; and the reception and use of his writing from the sixteenth through nineteenth centuries. Other contributors consider characterization and politics in the Brut tradition and Malory; the puzzling dualities of the alliterative Morte; the reception of Malory's "Trystram"; continuities between medieval and modern readings of the Morte Darthur; and the uses, adaptation, and appropriation of Arthurian themes and ideals in the twenty-first century.
Wolfram's Parzival continues to inspire and influence, in modern times works as diverse as Wagner's Parsifal and Lohengrin, Franz Kafka's The Castle, Terry Gilliam's film The Fisher King, and Umberto Eco's Baudolino.
A single, consistent and accessible narrative of the Grail story, constructed from the principal motifs and narrative strands of all the original Grail romances.
Arthur and the grail stories appeared in this French prose cycle together for the first time; scholars explore its social, historical, literary and manuscript contexts and account for its enduring interest.
The intricate structure and the many different narrative threads of the Prose Lancelot are here skilfully analysed, showing them to be a major new development in literary technique.
By his contemporaries, Raoul de Houdenc was 'mentioned in the same breath as Chrétien de Troyes as one of the masters of French poetry' (Keith Busby, The New Arthurian Encyclopaedia).
Reappraisal of Wirnt von Gravenberg's Wigalois, showing how it confronts and takes issue with - rather than simply imitating - earlier German Arthurian romance.