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    • Omaar Hena, Wake Forest University, North Carolina
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  • Publisher:
    Cambridge University Press
    ISBN:
    9781009712347
    9781009712392
    9781009712385
    Creative Commons:
    Creative Common License - CC Creative Common License - BY Creative Common License - NC Creative Common License - ND
    This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC-ND 4.0.
    https://creativecommons.org/creativelicenses
    Dimensions:
    (229 x 152 mm)
    Weight & Pages:
    274 Pages
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Book description

This book examines a wide sweep of prominent Black and Asian British poets, from Linton Kwesi Johnson and Jean 'Binta' Breeze through David Dabydeen, Bernardine Evaristo, and Jason Allen-Paisant. Throughout, Omaar Hena demonstrates how these poets engage with urgent crises surrounding race and social inequality over the past fifty years, spanning policing and racial violence in the 1970s and 1980s, through poetry's cultural recognition in the 1990s and 2000s by museums, the 2012 London Olympics, the publishing scene, and awards and prizes, as well as continuing social realities of riots and uprisings. In dub poetry, dramatic monologues, ekphrasis, and lyric, Hena argues that British Black and Asian poets perform racial politics in conditions of spiraling crisis. Engaged and insightful, this book argues that poetry remains a vital art form in twenty-first-century global Britain. This title is also available as open access on Cambridge Core.

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Contents

Full book PDF
  • British Black and Asian Poetry
    pp i-i
  • Cambridge Studies in Twenty-First-Century Literature and Culture - Series page
    pp ii-iv
  • British Black and Asian Poetry - Title page
    pp v-v
  • Race, Aesthetics and Politics 1970–2023
  • Copyright page
    pp vi-vi
  • Dedication
    pp vii-viii
  • Contents
    pp ix-ix
  • Figures
    pp x-x
  • Acknowledgments
    pp xi-xiv
  • Introduction
    pp 1-23
  • British Black and Asian Poetry in Crisis
  • Chapter 1 - Policing the Crisis, Sounding the Violence
    pp 24-59
  • Linton Kwesi Johnson
  • Chapter 2 - Voices of Dissent
    pp 60-97
  • Valerie Bloom, Jean “Binta” Breeze, and Amryl Johnson
  • Chapter 3 - Beyond Recognition
    pp 98-138
  • Race, Visual Culture, and Ekphrasis in Maud Sulter and David Dabydeen
  • Chapter 4 - Canons, Publishing, and Publics
    pp 139-175
  • Bernardine Evaristo, Lemn Sissay, and Daljit Nagra
  • Chapter 5 - Surplus Lyric
    pp 176-213
  • Poetics of Riot in Bhanu Kapil and D. S. Marriott
  • Conclusion
    pp 214-228
  • Prizing Race, Race in Crisis
  • Notes
    pp 229-234
  • Works Cited
    pp 235-248
  • Index
    pp 249-260

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