The chapter analyzes folk music and performance practices in a contemporary Indian and South Asian context. It covers the meaning and deployment of the term ‘folk’, its wider implications relating to caste, class, and taste, as well as its status in existing practices and scholarship. Whereas colonialists saw folk song as part of the enterprise to understand indigenous minds to better control and administer them, nationalists viewed it as a great resource to reconstruct the nation. After India’s independence, the state along with its middle class tried to institutionalize and appropriate folk song to cater to their tastes, however, it remained largely outside of their control and continues to maintain local and communitarian connections. Adopting a decolonial perspective, this chapter also addresses local hierarchies based on caste and cultural dispossession. Finally, it views folk song and music both as part of everyday life as well as a critique of everyday life that opens up an emancipatory discourse for the future.