Book contents
- The Cambridge Companion to Rodgers and Hammerstein
- Cambridge Companions to Music
- The Cambridge Companion to Rodgers and Hammerstein
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Preface
- Acknowledgements
- Chronology
- Part I Before Rodgers and Hammerstein
- Part II Being Rodgers and Hammerstein
- Part III The Musicals of Rodgers and Hammerstein
- 7 Oklahoma! A Musical for Its Times
- 8 State Fair and Us
- 9 How Do You Solve a Problem Like Carousel?
- 10 Allegro: A Musical Tale of a Medical Everyman
- 11 Minor Feelings about South Pacific
- 12 The King and I: Beyond Performing Geopolitics
- 13 Me and Juliet: Innovative Metatheatrical Musical Comedy
- 14 Pipe Dream: Rodgers and Hammerstein’s Zeitoper?
- 15 Cinderella on Television: The Transformational Power of Adaptive Dramaturgy
- 16 The Bridges of Flower Drum Song
- 17 ‘Climb Ev’ry Mountain’: Places, Mobilities and Identities in The Sound of Music
- Part IV Legacies
- Select Bibliography
- Index
15 - Cinderella on Television: The Transformational Power of Adaptive Dramaturgy
from Part III - The Musicals of Rodgers and Hammerstein
Published online by Cambridge University Press: 08 August 2026
Edited by
Book contents
- The Cambridge Companion to Rodgers and Hammerstein
- Cambridge Companions to Music
- The Cambridge Companion to Rodgers and Hammerstein
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Preface
- Acknowledgements
- Chronology
- Part I Before Rodgers and Hammerstein
- Part II Being Rodgers and Hammerstein
- Part III The Musicals of Rodgers and Hammerstein
- 7 Oklahoma! A Musical for Its Times
- 8 State Fair and Us
- 9 How Do You Solve a Problem Like Carousel?
- 10 Allegro: A Musical Tale of a Medical Everyman
- 11 Minor Feelings about South Pacific
- 12 The King and I: Beyond Performing Geopolitics
- 13 Me and Juliet: Innovative Metatheatrical Musical Comedy
- 14 Pipe Dream: Rodgers and Hammerstein’s Zeitoper?
- 15 Cinderella on Television: The Transformational Power of Adaptive Dramaturgy
- 16 The Bridges of Flower Drum Song
- 17 ‘Climb Ev’ry Mountain’: Places, Mobilities and Identities in The Sound of Music
- Part IV Legacies
- Select Bibliography
- Index
Summary
This chapter employs the concept of ‘adaptative dramaturgy’ to explore the three television versions of Rodgers and Hammerstein’s original television musical Cinderella, the original 1957 version starring Julie Andrews, the 1965 version starring Lesley Ann Warren and the 1997 version starring Brandy Norwood. In addition to casting and the various interpretations of the lead role in terms of physicality and vocality, the authors apply adaptive dramaturgy to the opening scene, Cinderella’s ‘In My Own Little Corner’, Cinderella and the prince’s ‘Do I Love You Because You’re Beautiful’ and Cinderella and her Fairy Godmother’s ‘Impossible – It’s Possible’. Selected stage adaptations are also discussed.
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- The Cambridge Companion to Rodgers and Hammerstein , pp. 233 - 251Publisher: Cambridge University PressPrint publication year: 2026
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