Book contents
- The Cambridge Companion to Rodgers and Hammerstein
- Cambridge Companions to Music
- The Cambridge Companion to Rodgers and Hammerstein
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Preface
- Acknowledgements
- Chronology
- Part I Before Rodgers and Hammerstein
- Part II Being Rodgers and Hammerstein
- 3 The Sounds of Rodgers and Hammerstein
- 4 Getting to Know Them: Rodgers and Hammerstein’s Co-creators
- 5 ‘That’s When They Take It to the Bank’: The Business of Rodgers and Hammerstein
- 6 Rodgers and Hammerstein, the ‘Integrated Musical’ and the Golden Age
- Part III The Musicals of Rodgers and Hammerstein
- Part IV Legacies
- Select Bibliography
- Index
4 - Getting to Know Them: Rodgers and Hammerstein’s Co-creators
from Part II - Being Rodgers and Hammerstein
Published online by Cambridge University Press: 08 August 2026
Edited by
Book contents
- The Cambridge Companion to Rodgers and Hammerstein
- Cambridge Companions to Music
- The Cambridge Companion to Rodgers and Hammerstein
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Preface
- Acknowledgements
- Chronology
- Part I Before Rodgers and Hammerstein
- Part II Being Rodgers and Hammerstein
- 3 The Sounds of Rodgers and Hammerstein
- 4 Getting to Know Them: Rodgers and Hammerstein’s Co-creators
- 5 ‘That’s When They Take It to the Bank’: The Business of Rodgers and Hammerstein
- 6 Rodgers and Hammerstein, the ‘Integrated Musical’ and the Golden Age
- Part III The Musicals of Rodgers and Hammerstein
- Part IV Legacies
- Select Bibliography
- Index
Summary
Although the musicals with music by Rodgers and words by Hammerstein are often referred to as being by ‘Rodgers and Hammerstein’, this chapter explores the duo’s numerous co-creators, all of whom (some under-credited or, early on, uncredited) were essential in bringing the ideas of Rodgers and Hammerstein to the stage or screen. Among the individuals profiled in the chapter are directors Rouben Mamoulian and Joshua Logan, director–choreographer Agnes de Mille, dance arranger Trude Rittman, orchestrator Robert Russell Bennett, director and manger Jeromy Whyte and set designer Jo Mielziner.
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- The Cambridge Companion to Rodgers and Hammerstein , pp. 54 - 67Publisher: Cambridge University PressPrint publication year: 2026
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