Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Introduction
- 196 Physical Structures
- 197 Acting Techniques
- 198 Costume
- 199 Scenery
- 200 Lighting
- 201 Sound Design
- 202 Visual Projections
- 203 Original Practices
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
203 - Original Practices
from Part XX - Changing Technologies of Stage Performance
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Introduction
- 196 Physical Structures
- 197 Acting Techniques
- 198 Costume
- 199 Scenery
- 200 Lighting
- 201 Sound Design
- 202 Visual Projections
- 203 Original Practices
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
Acoustic World of Early Modern England: Attending to the O-Factor, The Acting from Shakespeare’s First Folio: Theory, Text and Performanceactorsactors’ partsActors’ Renaissance SeasonAdams, J. C.Allard, BrianAlmost Original Shakespeare CompanyAmerican Globe TheatreAmerican Shakespeare CenterAshcroft, Dame PeggyAshland, OregonAtlanta Shakespeare Companyaudience interactionauthenticityBard In the BarnBasil, JohnBeckerman, BernardBlackfriars ConferenceBlackfriars (playhouse)book of the playcapitalizationCarson, ChristieChambers, E. K.ChicagoChicago Shakespeare TheatreChicago World’s FairCohen, Ralph AlancostumingcuesDenver, ColoradodesignersDessen, Alandirectorsdirectors’ theaterDocuments of Performance in Early Modern EnglandElizabethan Shakespeare CompanyElizabethan Stage SocietyElizabethan underwearEnglish RenaissanceFiennes, RalphFirst FolioFlatter, RichardFoakes, Reginald A.Fox, JamesFreeman, NeilGaines, BarbaraGranville-Barker, HarleyGraves, R. B.group tehearsalGurr, AndrewHampton Court PalaceHenslowe, PhilipHenslowe’s DiaryHildy, Franklin J.Hinman, CharltonHodges, C. WalterInternational Shakespeare’s Globe CenteritalicizationJames Madison UniversityJerash Festival, JordanKarim-Cooper, FarahKatherine (character)Kathman, DavidKiernan, PaulineKincaid, BillKissingford, BrianKnutson, RoslynLondonLopez, JeremyMacLean, Sally-BethMaking Shakespeare: From Stage to PageMary Baldwin CollegeMaryland Shakespeare FestivalMaster of PlayMcCarthy, ClarkeMcMillin, ScottMeterMethod actingMiddle Temple HallMulryne, J. R.Neuss (Germany) GlobeNew American Shakespeare TavernNew England Shakespeare FestivalNew York CityNo Holds BardNorton Facsimile: The First Folio of Shakespeare: Based on Folios in the Folger Shakespeare Library Collections, TheOdessa, Texasoriginal practicesoriginal pronunciationOriginal Practices Shakespeare FestivalOriginal Shakespeare CompanyOrrel, JohnorthographypacePalfrey, SimonPapadinis, Demitra“Partial Theory of Original Practice, A”Petruchio (character)Phoebus’ Cartphoto facsimilesPigeon Creek Shakespeare CompanyPoel, WilliamPortland, Oregonprompt scriptprompterpunctuation“Reconstructing the Globe: Constructing Ourselves”Queen’s MenQueen’s Men and their Plays, TherehearsalRehearsal from Shakespeare to SheridanrepertoryRomeRylance, MarkScacchi, GretaScales, PrunellascholarshipSecrets of Acting Shakespeare: The Original ApproachShakespeare and the Queen’s Men ProjectShakespeare in PartsShakespeare SurveyShakespeare’s First TextsShakespeare’s Globe (playhouse)Shakespeare’s Globe: A Theatrical ExperimentShakespearean authorityShenandoah Shakespeare ExpressShenandoah ValleyShewring, Margaretsingle-gendered castsSmith, Bruce R.Smith, Irwinsound in Renaissance Englandspectaclespeech prefixesspellingStaging Shakespeare at the New GlobeStanislavsky, KonstantinStaunton, VirginiaStern, TiffanyStratford, Ontario Shakespeare FestivalStratford, ConnecticutStyan, J. L.Swan (playhouse)Swan Theater drawingSydney, AustraliaThe Taming of the ShrewTheatre Royal Haymarkettheaterstheatrical architecturetheatrical contaminationtheme parksThomson, LeslieTiramani, JennyTokyoToronto, Ontario, CanadaTucker, Patrickuniversal lightingunlocalized platformVan Kampen, ClaireW. W. NortonWanamaker, SamWarren, JimWeingust, DonWestern Illinois UniversityWorthen, W. B.York, Susannah
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- Chapter
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1474 - 1482Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Carson, Christie, and Karim-Cooper, Farah, eds. Shakespeare’s Globe: A Theatrical Experiment. Cambridge: Cambridge University Press, 2008.Google Scholar
Flatter, Richard. Shakespeare’s Producing Hand: A Study of His Marks of Expression to Be Found in the First Folio. 1948. Rpt. New York: Greenwood, 1969.Google Scholar
Kiernan, Pauline. Staging Shakespeare at the New Globe. Basingstoke: Macmillan; New York: St. Martin’s, 1999.CrossRefGoogle Scholar
McMillin, Scott, and MacLean, Sally-Beth. The Queen’s Men and Their Plays. Cambridge: Cambridge University Press, 1998.Google Scholar
Palfrey, Simon, and Stern, Tiffany. Shakespeare in Parts. Oxford: Oxford UP, 2007.CrossRefGoogle Scholar
Smith, Bruce R. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: U of Chicago P, 1999.Google Scholar
Tucker, Patrick. Secrets of Acting Shakespeare: The Original Approach. New York: Routledge, 2002.Google Scholar
Weingust, Don. Acting from Shakespeare’s First Folio: Theory, Text and Performance. New York: Routledge, 2006.CrossRefGoogle Scholar
Further reading
Allen, Michael J. B., and Muir, Kenneth. Shakespeare’s Plays in Quarto: A Facsimile Edition of Copies Primarily from the Huntington Library. Berkeley: U of California P, 1981.Google Scholar
Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge: Cambridge University Press, 1995.CrossRefGoogle Scholar
Dessen, Alan C., and Thomson, Leslie. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge: Cambridge University Press, 1999.Google Scholar
Foakes, Reginald A., and Rickert, R. T., eds. Henslowe’s Diary: Edited with Supplementary Material, Introduction and Notes. Cambridge: Cambridge University Press, 1961.Google Scholar
Graves, R. B. Lighting the Shakespearean Stage, 1567–1642. Carbondale: Southern Illinois UP, 1999.Google Scholar
Gurr, Andrew. The Shakespearean Stage, 1574–1642. 3rd ed. Cambridge: Cambridge University Press, 1992.Google Scholar
Hinman, Charlton, ed. The Norton Facsimile: The First Folio of Shakespeare, Based on Folios in the Folger Shakespeare Library Collections. 1968. Rpt. New York: Norton, 1996.Google Scholar
Lopez, Jeremy. “A Partial Theory of Original Practice.” Shakespeare Survey 61 (2008): 302–17. Cambridge Collections Online. Cambridge University Press. DOI:10.1017/CCOL9780521898881.023. Accessed 15 September 2010.Google Scholar
Mosten, Doug, ed. The First Folio of Shakespeare. 1623. New York: Applause Books, 1995.Google Scholar
Mulryne, J. R., and Shewring, Margaret, eds. Shakespeare’s Globe Rebuilt. Cambridge: Cambridge University Press, 1997.Google Scholar
Stern, Tiffany. Documents of Performance in Early Modern England. Cambridge: Cambridge University Press, 2009.Google Scholar
Stern, Tiffany. Making Shakespeare: From Stage to Page. London: Routledge, 2004.CrossRefGoogle Scholar
See also the series First Folio Editions of Shakespeare, edited by Neil Freeman and published by Applause Books.Google Scholar
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