Dedication

pp v-vi

Contents

pp vii-viii

List of Illustrations

pp ix-x

List of Music Examples

pp xi-xvi

List of Analytical Tables

pp xvii-xvii

Preface and Acknowledgements

pp xviii-xxi

Supplementary Introduction to the Revised and Expanded Edition

pp xxii-xxiii

List of Sigla and Abbreviations

pp xxiv-xxvi

I - Early Influences and Impressions, 1852–70

pp 1-2

1 - Dublin, Family and Friends

pp 3-19

2 - Childhood: Dublin in the 1850s and 1860s

pp 20-46

II - Formative Years, 1870–87

pp 47-48

3 - Cambridge and the Wanderjahre (Leipzig and Berlin, 1870–6)

pp 49-96

4 - A Promising Future: The Cambridge University Musical Society, Opera and a Revolution in Church Music (1877–82)

pp 97-150

5 - The Royal College of Music (1883–7): Disappointment and Revival

pp 151-220

III - Recognition, 1888–1901

pp 221-222

6 - The Cambridge Professorship: Reform and International Acclaim (1888–92)

pp 223-283

7 - Removal from Cambridge, the CUMS Jubilee and the Focus of London (1892–5)

pp 284-320

8 - Shamus O’Brien, the Requiem and the Leeds Philharmonic Society (1896–1900)

pp 321-386

IV - The New Generation, 1901–14

pp 387-388

9 - The Leeds Festival, Knighthood and the New Generation (1901–9)

pp 389-474

10 - Resignation from Leeds, Patriotism and Political Isolation (1910–14)

pp 475-516

V - War and Decline, 1914–24

pp 517-518

11 - The War (1914–18)

pp 519-556

12 - The Last Years (1918–24)

pp 557-606

Appendix: List of Works

pp 607-650

Select Bibliography

pp 651-658

Index of Works

pp 659-666

General Index

pp 667-701