2 - Rudeness and the Raw
Published online by Cambridge University Press: 27 February 2026
Summary
This chapter discusses the Renaissance sensibility for order, symmetry and the elevation of the individual as an originating cause. Through Ruskin, then Heidegger, comes a discussion of how humans relate to things as equipment, as tools, how these relational and regional settings are those to which all craft work adheres, and how, nevertheless, we can be unhomed from such. There is a focus on the work of the potter Gillian Lowndes as an exemplar of this unhoming.
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- Craft WorkMaking Form in a Broken World, pp. 19 - 50Publisher: Cambridge University PressPrint publication year: 2026
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