Deleuze, Digital Media and Thought

Timothy Deane-Freeman

Timothy Deane-Freeman traces Deleuze's remarks about the digital to reveal both their origins and implications. In so doing, we encounter a position which is fundamentally ambiguous. On the one hand, digital techniques are intimately related to what Deleuze calls 'societies of control', which deploy them in order to close down potential spaces of creativity and resistance. On the other, digital images take up the mantle of cinema, displacing habitual forms of cognition and forcing us to think in new ways. Deane-Freeman traces these dual impulses through the images of cinema, television and social media, as well as explicating key Deleuzian concepts, including virtuality, immanence and the outside.

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Deleuze, Digital Media and Thought

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Contents

Frontmatter
pp i-iv

Contents
pp v-v

Acknowledgments
pp vi-vi

Abbreviations
pp vii-viii

Introduction
pp 1-17

1 - Where is the Outside?
pp 18-39

2 - The Image and the Out-of-Field
pp 40-73

3 - A Politics of the Out-of-Field
pp 74-104

4 - The Digital Image
pp 105-133

5 - Cybernetic Information
pp 134-163

6 - Art and the Digital
pp 164-198

7 - Art and the Digital
pp 199-230

Conclusion: The Digital Outside
pp 231-238

Bibliography
pp 239-253

Index
pp 254-258

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Deleuze, Digital Media and Thought

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