The first study of Deleuze's critical and clinical projectAidan Tynan addresses Deleuze's assertion, that 'literature is an enterprise of health', and shows how a concern of health and illness was a characteristic of his philosophy as a whole, from his earliest works to his groundbreaking collaborations with Guattari, to his final, enigmatic statements on 'life'.He explains why alcoholism, anorexia, manic depression and schizophrenia are key concepts in Deleuze's literary theory, and shows how, with the turn to schizoanalysis, literature takes on a crucial political and ethical role in helping us to diagnose our present pathologies and articulate the possibilities of a health to come.Key Features The first book length study of Deleuze's critical and clinical project and the conceptualisations of health and illness he developed over the course of his career Uses the idea of the literary clinic to unify Deleuze's literary theory with the political critique he developed with Guattari, and argues in this way for a distinctively Deleuzian critical practice Draws on Deleuze conceptualisations of health and illness to reassess his relationship to key thinkers such as Spinoza, Marx, Nietzsche, Freud and Melanie Klein and literary figures such as Melville F. Scott Fitzgerald, Kafka, Beckett and Artaud

Perhaps more than any other philosopher, Deleuze has been pivotal for the recent ‘affective turn’ in philosophy and the humanities at large. Critics and proponents alike, however, have yet to appreciate the extent to which Deleuze himself remains profoundly ambivalent toward affect and embodiment in general. In this book, D. J. S. Cross argues that this ambivalence and its longevity have been overlooked because they only become apparent through a systematic analysis of affect throughout Deleuze’s work. By outlining how, from beginning to end, Deleuze’s system of thought both ruptures and complies with the tradition, Cross recalibrates Deleuze’s philosophy and the recent ‘affective turn’ that hinges upon it.

One feature of Gilles Deleuze’s philosophy is its effort to establish connections with other disciplines and to appeal to non-philosophers. However, Deleuze never establishes these connections without a constant and unconditional reaffirmation of the uniqueness of philosophy. How does he conceive of philosophy? What are its elements? What are its methods? How is philosophy connected to other fields of knowledge and other activities? Axel Cherniavsky provides an answer to these questions by analysing the definition of philosophy Deleuze gives throughout his entire oeuvre: creation of concepts. Through this analysis, you will discover a reconstruction of a creative methodology, a detailed theory of the philosophical concept, a reflection on interdisciplinarity and altogether one of the most precise and systematic conceptions that philosophy has ever given of itself.

Timothy Deane-Freeman traces Deleuze's remarks about the digital to reveal both their origins and implications. In so doing, we encounter a position which is fundamentally ambiguous. On the one hand, digital techniques are intimately related to what Deleuze calls 'societies of control', which deploy them in order to close down potential spaces of creativity and resistance. On the other, digital images take up the mantle of cinema, displacing habitual forms of cognition and forcing us to think in new ways. Deane-Freeman traces these dual impulses through the images of cinema, television and social media, as well as explicating key Deleuzian concepts, including virtuality, immanence and the outside.

This collection of essays charts the intellectual trajectory of Barbara Glowczewski, an anthropologist who has worked with the Warlpiri people of Australia since 1979. She shows that the ways Aboriginal people actualise virtualities of their Dreaming space - time into collective networks of ritualised places resonate with Guattarian and Deleuzian concepts. Inspired by the art and struggles of different Indigenous people and other discriminated groups, especially women, Glowczewski draws on her own conversations with Guattari, and her debates with various scholars to deliver an innovative agenda for radical anthropology.

Andrew Jampol-Petzinger pursues Gilles Deleuze's significantly under-discussed interpretation of Søren Kierkegaard. He presents a view of ethics and selfhood that responds to theories of moral judgment and selfhood based on stable, substance-orientated forms of identity.