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Findings… Bitter-Sweet

Published online by Cambridge University Press:  10 October 2026

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Summary

The two themes, love and death, do not appear in neat columns under the headings, ‘cheerful’ and ‘sad’. Instead, there having been no itinerary – no plan or project – the real ambiguity of the world receives acknowledgement. Then, it has been possible to pose the basic question: how to reconcile oneself with a world in which, scandalously there is love and death? The answer, and the argument of the work is that the bitter and the sweet are not epithetical, but are woven into the very substance of existence. Reconciliation comes when we submit to the embrace of necessity.

The individual and the whole of humankind live in a condition of bereavement. Paradoxically, there are lives and deaths for which we may be grateful…

… the very palpability of objects is called into question… matter turns into spirit.

James Lawson

This project, a fractured narrative comprising twelve composite ‘findings’ with varying numbers of images, felt very much like composing songs for an album, using particular recording strategies to underpin its sensibility. Writing the accompanying text seemed similar to the production of song lyrics albeit briefer and somewhat more enigmatic. As in songwriting, sometimes the words would come first.

The camera used was the legendary Polaroid SX70 which lends the images a dream-like quality – a certain, ‘lightness of being’, almost regardless of image content. This is due to the SX70 allowing control of both focus and exposure. Again, the notion of the integration of opposites plays its part via explorations of relationships, time, life, death.

Findings… Bitter-Sweet was revisited in 1998, becoming a slow-dissolve photo animation with a solo guitar soundtrack.

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