Chapter 1 - Correctio
Published online by Cambridge University Press: 15 July 2026
Summary
This chapter examines one of the most distinctive features of Bishop’s work: her frequent use of correctio. When using this rhetorical scheme, writers will correct, question, rephrase or offer alternatives to their words and phrases in the body of the text itself (rather than, say, in the process of redrafting). The first part of this chapter gives an account of: correctio’s history; its characterisation in early-modern and twentieth-century rhetorical manuals; its risks and rewards; and its indiscriminate approval by Bishop’s critics. The chapter then analyses its frequent use by three major influences on Bishop: George Herbert, William Wordsworth and Marianne Moore. The main part of this chapter then examines Bishop’s use of correctio in relation to visual art, nature writing, memory, the representation of consciousness, scepticism, and elegy.
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- Elizabeth Bishop's Styles of Writing , pp. 20 - 73Publisher: Cambridge University PressPrint publication year: 2026
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