Seen as a path to Americanization, the sweatshop is a cultural trope. From Abraham Cahan’s fictional autobiography, The Rise of David Levinsky (1917), to Amy Sherman-Palladino’s comedy-drama, The Marvelous Mrs. Maisel (2017-), stories set in the sweatshop comprise a subgenre of US immigrant narratives. Melissa Rivero’s The Affairs of the Falcóns (2019) adds to and disrupts that subgenre while challenging dominant conception of assimilation. As a story about undocumented labor and the informal economy, The Affairs of the Falcóns seems to say little about assimilation as it is widely perceived and celebrated. Yet Rivero’s novel offers a fresh take on this concept: Ana is incorporated in the US economy not only as a sweatshop seamstress, but also as a disposable worker. The Affairs of the Falcóns calls attention to the paradox of assimilation – inclusion via marginalization and subordination – and to the elusiveness of the American dream.