Günter Grass and the Genders of German Memory: From The Tin Drum to Peeling the Onion and Beyond

Timothy B. Malchow

doi:10.1017/9781800100404

The first book to examine the connection between gender and memory in Grass's oeuvre, which is especially timely in light of current concerns about male privilege.

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Günter Grass and the Genders of German Memory

From The Tin Drum to Peeling the Onion and Beyond

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Contents

Frontmatter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-viii

Acknowledgments
pp ix-x

Abbreviations, Translations, and Transcriptions
pp xi-xii

Introduction
pp 1-36

1 - Grass’s Biography in Context: 1927–1959
pp 37-67

2 - Corporeal Memory, Trauma, and Art in The Tin Drum
pp 68-92

3 - Bildung, Heimat, and Gendered Modes of German Memory in The Tin Drum
pp 93-120

4 - A Patriarchal Arbiter of German Cultural Memory and His Feminized Others: Leveling Bildung, Opening Heimat, and Championing Art from the 1960s to the New Millennium
pp 121-161

5 - Grass’s Early Life Once Again: Broken Silence, Mourning, and Gendered Approaches to Memory in Peeling the Onion
pp 162-198

Epilogue
pp 199-216

Works Cited
pp 217-232

Index
pp 233-246

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Günter Grass and the Genders of German Memory

From The Tin Drum to Peeling the Onion and Beyond

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