Holst's self-esteem as a composer grew very quickly during 1914–1916, for those were the years dominated by the composition of his largest orchestral work, The Planets, Op. 32 [H125]. Astrology was nothing new to him and he may have been exposed to it at a very young age. Raymond Head comments,
Holst would certainly have known of astrology from his stepmother's Theosophical upbringing. But it was not until about 1912 that he took the subject further. In fact, [Clifford] Bax recalled that Holst told him apropos The Planets: ‘for two years I had the intention of composing that cycle.’ Since Holst began working on it in 1914 that would mean he started thinking about it in 1912[,] perhaps even earlier because Holst had a long gestation period for each major work.
Holst himself comments from a 1914 perspective:
As a rule I only study things that suggest music to me, that's why I worried at Sanskrit. Then recently the character of each planet suggested lots to me, and I have been studying astrology closely.
The first movement of The Planets, “Mars: The Bringer of War,” was begun in early 1914 and, true to its subtitle, was entirely sketched out before World War I had begun. “Mars” had not been inspired by that particular war; neither had his musical documentary on the horrors of war, A Dirge for Two Veterans [H121] (1914).
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