This chapter offers a detailed reading of Sophocles’ Trachiniae. It begins by analysing the characters’ use of theological and philosophical discourse in the tragedy’s first half, paying close attention to its function and its relationship with its broader dramatic context. It then focuses on the scenic experiences and trajectories of the characters (in particular Deianeira), demonstrating that the play, through its presentation of the interplay between knowledge and ignorance and the experience of reversal, dramatises traditional Greek notions of vicissitude and short-sightedness. Finally, the chapter attempts to trace some of the broader patterns and forces underlying and shaping the play’s events, the means by which these patterns emerge and the characters’ efforts to understand them. It argues that the characters are all, in their own way, pitiful victims of a shifting world that cannot be bent to their will, and is governed by distant, uncaring gods.