The chapter probes the relationship between law and performance in the context of transitional justice. By analyzing cultural productions and public performances such as films and theater plays, the chapter examines the ways in which lustration has become dramatized through the themes of secrecy, deception, betrayal, and the desire to know and not to know. While these cultural practices offer insight into the public intimate life of lustration, they also show how they become a site and form of social opposition and critical engagement with the terms of lustration and moral autopsy. In particular, the chapter offers a detailed ethnographic study of the experimental theater play by Wojtek Ziemilski, Small Narration (Mala Narracja), which highlights the layered relationship between theater and law and shows the extent to which the judicial and moralized forms of examination and judgment might travel and be contested by alternative forms of knowing, not-knowing, and relating to life, history, and politics.