After the destruction of the Palace of Knossos ca. 1375 BC, Crete enters the sphere of Mycenae. The Palatial period that lasted two centuries of prosperity begins. New ruling families emerge and take power embodied by their palaces and fortified citadels with impressive Cyclopean walls. Palaces had a main architectural unit – the megaron – plus propyla, courtyards, workshops, storage rooms; they had painted floors and frescoed walls depicting in the a secco technique with a typical homogeneity palatial life scenes, such as processions, hunting, battles, banquets. All Mycenaean palaces, notably different from the Minoan ones, present common points; a Minoan influence is perceived in Pylos. The palaces were complex functional structures, hierarchically organized administrative, economic, military, political and religious centres, all activities dominated by the wanax. Most important, Mycenae possessed a leading position in power and artistic creativity illustrated by the celebrated Lion Gate. Along with remarkable metalwork tradition, LH III introduces exquisite ivory carving. Clay figurines represent a particular expression of plastic arts.