While living in exile in a divided Berlin after the 1973 military coup and Pablo Neruda’s death twelve days later, Antonio Skármeta created his own version of Neruda in Ardiente paciencia (Burning Patience), a humane image of the poet that contrasted with the one-dimensional communist martyr projected after his death. Skármeta wrote the base story for four different media under the same title: a radio drama, a play, a film, and a novel. The story has since been freely adapted by others, such as Michael Radford’s film Il Postino (The Postman), Daniel Catán’s opera, with Plácido Domingo as Neruda, and Rodrigo Sepúlveda’s recent film released by Netflix. Aside from clarifying the confusion in the critical bibliography regarding these multiple stories, this chapter focuses on Skármeta’s two media versions of Ardiente paciencia, the play and the film, to show how a single artistic creation can captivate audiences worldwide.