Neruda’s Forgotten Futurity
from Part III - Literary Influences and Poetic Evolution
Published online by Cambridge University Press: 27 February 2026
This chapter encompasses Neruda’s poetic production during his latest years, which has been divided into two sections: late and posthumous poems published in books. Neruda’s literary fame was cemented in his previous work, Veinte poemas de amor y una canción desesperada (Twenty Love Poems and a Song of Despair, 1924), Residencia en la tierra (Residence on Earth, 1933, 1935, 1947), Canto general (1950), and Odas elementales (Elemental Odes, 1954–57). In general, critics and general readers have overlooked Neruda’s late body of work, which reflected a post-millennial futurity. He announced this visionary approach in both Aún (Still Another Day, 1969) and Fin de mundo (World’s End, 1969), but the best summary of his take on futurity can be found in his posthumous 2000 (1974).
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