Book contents
- Front matter
- Frontispiece
- Contents
- List of figures
- Notes on contributors
- Acknowledgements
- A note on sources and copyright materials
- Introduction
- Part I Genealogy
- Part II Debates
- Part III Keywords
- Introduction to Part III
- Coordinates of a history of the technical image
- The status of the reproduction
- Benjamin's blindspot: Aura and reproduction in the post-print age
- Are all multiples the same?: The problematic nature of the limited edition
- Printing plates and pixel matrix: The mechanisation of memory
- Opening up an anachronistic point of view (1997)
- Untying the knot: Memory and forgetting in contemporary print work
- Spirit duplication
- Three ways to use yellow
- On the manual (in the manual)
- Animal print suicide
- Further reading
- Part IV The field
- Index
Further reading
from Part III - Keywords
Published online by Cambridge University Press: 29 August 2026
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Book contents
- Front matter
- Frontispiece
- Contents
- List of figures
- Notes on contributors
- Acknowledgements
- A note on sources and copyright materials
- Introduction
- Part I Genealogy
- Part II Debates
- Part III Keywords
- Introduction to Part III
- Coordinates of a history of the technical image
- The status of the reproduction
- Benjamin's blindspot: Aura and reproduction in the post-print age
- Are all multiples the same?: The problematic nature of the limited edition
- Printing plates and pixel matrix: The mechanisation of memory
- Opening up an anachronistic point of view (1997)
- Untying the knot: Memory and forgetting in contemporary print work
- Spirit duplication
- Three ways to use yellow
- On the manual (in the manual)
- Animal print suicide
- Further reading
- Part IV The field
- Index
Summary
Readers are encouraged to create their own map, or temporal and thematic trajectory through the material presented in this volume, and find the connections between different texts that are pertinent to them. By referring to the further reading lists at the end of each section, readers are then able to create a diverse, yet interconnected web of multiple intersecting lines that lead beyond the book itself.
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- Type
- Chapter
- Information
- Perspectives on contemporary printmakingCritical writing since 1986, pp. 224 - 228Publisher: Manchester University PressFirst published in: 2026
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