from Part IV - Paradoxes and Predicaments
Published online by Cambridge University Press: 04 September 2025
Though it goes against the common conception of Schoenberg as a no-nonsense adherent to high art and modernism, popular music played an important role in the composer’s life and work. This chapter will survey Schoenberg’s engagement with the popular music and popular-music culture by focusing on four dimensions of that engagement: Schoenberg’s early-period cabaret songs; the use of popular music in his mature works before 1933; his relationship to popular music while living in Los Angeles; and the role of popular music in Schoenberg’s theories.
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