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Chapter 29 - The German Stage

from Part IV - Performance Legacies

Published online by Cambridge University Press:  23 June 2025

James Moran
Affiliation:
University of Nottingham
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Summary

This chapter discusses Sean O’Casey’s drama performed in Germany, Austria, and German-speaking Switzerland. The main focus is on plays addressing political turmoil and revolutionary upheaval. Some German-speaking audiences for these plays were confronted with similar crises at the time that the plays were produced in the German language. As a hotspot of the East–West conflict, O’Casey’s plays performed in Berlin are of particular interest, and this chapter concludes with an appendix that lists key Germanophone premieres.

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  • The German Stage
  • Edited by James Moran, University of Nottingham
  • Book: Sean O'Casey in Context
  • Online publication: 23 June 2025
  • Chapter DOI: https://doi.org/10.1017/9781009304191.030
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  • The German Stage
  • Edited by James Moran, University of Nottingham
  • Book: Sean O'Casey in Context
  • Online publication: 23 June 2025
  • Chapter DOI: https://doi.org/10.1017/9781009304191.030
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • The German Stage
  • Edited by James Moran, University of Nottingham
  • Book: Sean O'Casey in Context
  • Online publication: 23 June 2025
  • Chapter DOI: https://doi.org/10.1017/9781009304191.030
Available formats
×