Published online by Cambridge University Press: aN Invalid Date NaN
This introduction outlines the concept of ‘shaping’ as a historical and theoretical term for understanding Shakespeare’s dramatic practice. It offers several close readings of the word ‘shape’ and its cognates in Shakespeare’s work, and in several of his sources. It argues for an understandning of creative morphology that sees the constituent parts of words as sites creative potential for Shakespeare. It offers an critical overview of the scholarly field and situates the book’s contribution within ongoing debates.
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