Book contents
- Shakespeare Survey 78
- Shakespeare Survey
- Shakespeare Survey 78
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- (Grass)Root and (Tree)Branch: Building Community in the Early Modern Ensemble Training Model
- Fat Ham and the Problem of Community
- Shakespeare under the Hood: Teaching, Researching and Learning Shakespeare from Within
- Mind’s Eye: Audio-described Shakespeare
- ‘The New Map with the Augmentation of the Indies’: Geographical Knowledge Communities at the Inns of Court and Shakespeare’s Twelfth Night
- Music and Drama at the Early Modern Inns of Court: Twelfth Night and Hyde Park
- Reimagining the Community: A Transatlantic Tale of Two Scholars
- ‘To Be or Not to Be in Ukraine’: Ruining Shakespeare and Rebuilding Communities in H-Effect and The Hamlet Syndrome
- Red Kabuki Actors Perform Shakespeare in Occupied Japan (1945–1952): Zenshinza’s ‘Theatre for Young People’
- ‘Unrespective Boys’: The Formation and Betrayal of Child Peer Communities in Richard III
- ‘Here’s Company’: Fractured Englishness and Conflicted Communities in The Merry Wives of Windsor and Henry V
- ‘Necessity Has No Law’: Justice and Affective Communities in 2 Henry VI
- The BBC’s Television Adaptations of Henry VI and Britain’s National Identity Crises
- A Lion, an Ass, a Dog and a Wall: A Midsummer Night’s Dream’s Ecological Theatricality
- Hitchcock’s Hamlet
- German Hermeneutics of Racecraft in Thomas Ostermeier’s Othello (2010)
- ‘Bloody Creditor[s]’ and the Blood-Money Metaphor in The Merchant of Venice
- ‘And Now Let Me Alone to End the Tragedy’: Othello, Comedy and Candlelight in John Fletcher’s Women Pleased
- Power, Horology and Imperial Doubt: Reimagining Time in Shakespeare’s A Midsummer Night’s Dream
- ‘By the Book’: Source Study and the Plot of Romeo and Juliet
- War, Hunger and Gluttony in Shakespeare’s English Histories: Sir John Oldcastle and Jack Cade
- Some Deeper Thing: Visualizing Complexity in Hamlet through the Pyrrhus Speech
- Lucrece and Leonard Becket, 1614–1633
- Audio Shakespeare
- Shakespeare Performances in England, 2024 London Productions, 2024
- Productions Outside London, 2024
- Professional Shakespeare Productions in the UK, January–December 2023
- The Year’s Contribution to Shakespeare Studies
- 1.Critical Studies
- 2.Editions and Textual Studies
- 3.Shakespeare in Performance
- Abstracts of Articles in Shakespeare Survey 78
- Index
- References
1. - Critical Studies
from The Year’s Contribution to Shakespeare Studies
Published online by Cambridge University Press: 08 October 2025
Edited by
Book contents
- Shakespeare Survey 78
- Shakespeare Survey
- Shakespeare Survey 78
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- (Grass)Root and (Tree)Branch: Building Community in the Early Modern Ensemble Training Model
- Fat Ham and the Problem of Community
- Shakespeare under the Hood: Teaching, Researching and Learning Shakespeare from Within
- Mind’s Eye: Audio-described Shakespeare
- ‘The New Map with the Augmentation of the Indies’: Geographical Knowledge Communities at the Inns of Court and Shakespeare’s Twelfth Night
- Music and Drama at the Early Modern Inns of Court: Twelfth Night and Hyde Park
- Reimagining the Community: A Transatlantic Tale of Two Scholars
- ‘To Be or Not to Be in Ukraine’: Ruining Shakespeare and Rebuilding Communities in H-Effect and The Hamlet Syndrome
- Red Kabuki Actors Perform Shakespeare in Occupied Japan (1945–1952): Zenshinza’s ‘Theatre for Young People’
- ‘Unrespective Boys’: The Formation and Betrayal of Child Peer Communities in Richard III
- ‘Here’s Company’: Fractured Englishness and Conflicted Communities in The Merry Wives of Windsor and Henry V
- ‘Necessity Has No Law’: Justice and Affective Communities in 2 Henry VI
- The BBC’s Television Adaptations of Henry VI and Britain’s National Identity Crises
- A Lion, an Ass, a Dog and a Wall: A Midsummer Night’s Dream’s Ecological Theatricality
- Hitchcock’s Hamlet
- German Hermeneutics of Racecraft in Thomas Ostermeier’s Othello (2010)
- ‘Bloody Creditor[s]’ and the Blood-Money Metaphor in The Merchant of Venice
- ‘And Now Let Me Alone to End the Tragedy’: Othello, Comedy and Candlelight in John Fletcher’s Women Pleased
- Power, Horology and Imperial Doubt: Reimagining Time in Shakespeare’s A Midsummer Night’s Dream
- ‘By the Book’: Source Study and the Plot of Romeo and Juliet
- War, Hunger and Gluttony in Shakespeare’s English Histories: Sir John Oldcastle and Jack Cade
- Some Deeper Thing: Visualizing Complexity in Hamlet through the Pyrrhus Speech
- Lucrece and Leonard Becket, 1614–1633
- Audio Shakespeare
- Shakespeare Performances in England, 2024 London Productions, 2024
- Productions Outside London, 2024
- Professional Shakespeare Productions in the UK, January–December 2023
- The Year’s Contribution to Shakespeare Studies
- 1.Critical Studies
- 2.Editions and Textual Studies
- 3.Shakespeare in Performance
- Abstracts of Articles in Shakespeare Survey 78
- Index
- References
Summary
With the slow metabolism of academic publishing, we are only now seeing in print those works produced during or shortly after Trump’s tenure as 45th president of the United States. Encountering these books now is curiously temporally displacing. On the one hand, such books offer the promise of reflecting soothingly, perhaps therapeutically, on a time confined to the past. The writing of history is a way of telling ourselves that certain things are over. But reading a book that engages in such reflection on the eve of the 2024 presidential election, then attempting to review it the day after forces a dislocation in perspective. Simultaneously, one looks at the past that was safely confined to the narrative of history, and one must also reckon with the traumatic intrusion of that past once again. It is hard not to read these books hauntologically.
Information
- Type
- Chapter
- Information
- Shakespeare Survey 78Shakespeare and Communities, pp. 360 - 372Publisher: Cambridge University PressPrint publication year: 2025
References
Works Reviewed
Akhimie, Patricia, ed., The Oxford Handbook of Shakespeare and Race (Oxford, 2024)CrossRefGoogle Scholar
Bachrach, Hailey, Staging Female Characters in Shakespeare’s English History Plays (Cambridge, 2023)CrossRefGoogle Scholar
Campana, Joseph, Shakespeare’s Once and Future Child: Speculations on Sovereignty (Chicago, 2024)CrossRefGoogle Scholar
Corredera, Vanessa I., Pittman, L. Monique and Way, Geoffrey, eds., Shakespeare and Cultural Appropriation (London, 2023)CrossRefGoogle Scholar
Espinosa, Ruben, ed., Shakespeare/Skin: Contemporary Readings in Skin Studies and Theoretical Discourse (London, 2024)CrossRefGoogle Scholar
Gordon, Colby, Glorious Bodies: Trans Theology and Renaissance Literature (Chicago, 2024)CrossRefGoogle Scholar
Sparey, Victoria, Shakespeare’s Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester, 2024)CrossRefGoogle Scholar
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