Prefaced by an extended ethnographic account of Fidel Castro’s charisma as it emerged in the days of national mourning that followed his death in 2016, Chapter 9 concludes the book’s morphological argument by drawing out its implications for two forms of comparison that contribute to its development. The first concerns the analogies and contrasts between political and religious concepts and practices, which feature throughout the development of the book’s morphological analysis and are viewed here in relation to the broader discussion about ‘political theology’. The second returns to the comparative anthropological framework with which the book begins, namely the varied ways in which the distinction between nature and culture can be made, locating revolutions in this comparative frame.