This chapter examines the relationship between human rights and Chile’s 1990-1991 National Commission on Truth and Reconciliation, and the way this relationship continues to shape state-society relations in the aftermath of Pinochet’s dictatorship (1973-1990). The argument is two-fold. First, the Truth Commission draws on the language of human rights to authorize its account as the ‘major’ truth. Second, in doing so, the Truth Commission displaces from public life ‘minor’ truths, specifically the experiences of state-violence by Indigenous communities (Mapuche people) and women (Arpilleristas). The argument is based on an analysis of the representation of truth and authority embodied in Chile’s Museum of Memory and Human Rights. The chapter shows how the Museum gives continuity to the work of the Truth Commission by giving it a material (spatial and experiential) form. While the Truth Commission and the Museum remain two distinct institutions, in visiting the Museo/Truth Commission it becomes apparent how human rights authorizes the Truth Commission’s account, and how the Museo gives it continuity in public life.