Vasari in the Pieve
Published online by Cambridge University Press: 10 March 2026
A wealth of primary sources documents Vasari’s meticulous planning for his posthumous commemoration, his death, and his heirs’ execution of his final wishes. This final chapter explores Vasari’s death and the fate of his earthly remains, as well as the unique place his high altar for the Pieve occupies within the tradition of funerary monuments and chapels made by and for early modern Italian artists and architects. As the largest and principal altar of one of Arezzo’s most prestigious churches and the site of Vasari’s burial, it is nothing less than the most personal work of his long and prolific artistic career. Its alienation in the nineteenth century from the church for which it was made and nearly all of the other works with which Vasari intended it to be seen, however, has long obscured its significance.
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