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Chapter Seven - Commemoration

Vasari in the Pieve

Published online by Cambridge University Press:  10 March 2026

Sally J. Cornelison
Affiliation:
Syracuse University, New York
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Summary

A wealth of primary sources documents Vasari’s meticulous planning for his posthumous commemoration, his death, and his heirs’ execution of his final wishes. This final chapter explores Vasari’s death and the fate of his earthly remains, as well as the unique place his high altar for the Pieve occupies within the tradition of funerary monuments and chapels made by and for early modern Italian artists and architects. As the largest and principal altar of one of Arezzo’s most prestigious churches and the site of Vasari’s burial, it is nothing less than the most personal work of his long and prolific artistic career. Its alienation in the nineteenth century from the church for which it was made and nearly all of the other works with which Vasari intended it to be seen, however, has long obscured its significance.

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  • Commemoration
  • Sally J. Cornelison, Syracuse University, New York
  • Book: Vasari and the Sacred Image
  • Online publication: 10 March 2026
  • Chapter DOI: https://doi.org/10.1017/9781009699006.008
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  • Commemoration
  • Sally J. Cornelison, Syracuse University, New York
  • Book: Vasari and the Sacred Image
  • Online publication: 10 March 2026
  • Chapter DOI: https://doi.org/10.1017/9781009699006.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Commemoration
  • Sally J. Cornelison, Syracuse University, New York
  • Book: Vasari and the Sacred Image
  • Online publication: 10 March 2026
  • Chapter DOI: https://doi.org/10.1017/9781009699006.008
Available formats
×