Book contents
- Vasari and the Sacred Image
- Vasari and the Sacred Image
- Copyright page
- Dedication
- Contents
- Illustrations
- Acknowledgments
- Abbreviations
- Introduction
- Chapter One Renovation
- Chapter Two Vasari’s machina aretina
- Chapter Three The Cappella di casa Vasari
- Chapter Four Renaissance Recycling
- Chapter Five Reconstructing the Camaiani and Fraternita Altars
- Chapter Six Reframing Mary
- Chapter Seven Commemoration
- Book part
- Bibliography
- Index
Chapter Four - Renaissance Recycling
The Albergotti Altar
Published online by Cambridge University Press: 10 March 2026
Book contents
- Vasari and the Sacred Image
- Vasari and the Sacred Image
- Copyright page
- Dedication
- Contents
- Illustrations
- Acknowledgments
- Abbreviations
- Introduction
- Chapter One Renovation
- Chapter Two Vasari’s machina aretina
- Chapter Three The Cappella di casa Vasari
- Chapter Four Renaissance Recycling
- Chapter Five Reconstructing the Camaiani and Fraternita Altars
- Chapter Six Reframing Mary
- Chapter Seven Commemoration
- Book part
- Bibliography
- Index
Summary
Prior to the Pieve’s radical renovation in the nineteenth century, Vasari’s Albergotti altarpiece decorated an altar at the end of the church’s left aisle. Its main panel depicts the Coronation of the Virgin and was originally commissioned by the Florentine Filippo Salviati for the church of San Vincenzo in Prato. This chapter investigates that early commission and the painting’s subsequent purchase by the Aretine lawyer Nerozzo Albergotti, thus providing a deeper understanding of the Albergotti altarpiece’s conception and complicated patronage history, as well as of its iconography and the ways in which Vasari adapted it to the altar in the Pieve on which it was installed.
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- Vasari and the Sacred ImageRenovating Santa Maria della Pieve in Arezzo, pp. 147 - 170Publisher: Cambridge University PressPrint publication year: 2026
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