Book contents
- Vienna
- Vienna
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Introduction
- Part IIdentity and Place
- Part IILocal Traditions and Instruments
- 4Music and Dance
- 5Private and Domestic Music-Making
- 6Operetta in Vienna
- 7Capturing the Past in the Present: Viennese Instruments, Sounds and Instrument Makers
- Part IIIInstitutions, Organizations and Venues
- Part IVComposers, Performers and Critics
- Guidelines for Further Reading
- Index
6 - Operetta in Vienna
from Part II - Local Traditions and Instruments
Published online by Cambridge University Press: 12 February 2026
Book contents
- Vienna
- Vienna
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Introduction
- Part IIdentity and Place
- Part IILocal Traditions and Instruments
- 4Music and Dance
- 5Private and Domestic Music-Making
- 6Operetta in Vienna
- 7Capturing the Past in the Present: Viennese Instruments, Sounds and Instrument Makers
- Part IIIInstitutions, Organizations and Venues
- Part IVComposers, Performers and Critics
- Guidelines for Further Reading
- Index
Summary
This chapter describes the Viennese Volkstheater, a forerunner of operetta, and then sketches the historical development of operetta in city life from the late 1850s into the twenty-first century, including the ‘golden’ and ‘silver’ ages. Since operetta is closely tied to popular music, types such as social dancing, military bands, cabaret and the musical are also referenced.
Keywords
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- Type
- Chapter
- Information
- ViennaA Musical History, pp. 111 - 126Publisher: Cambridge University PressPrint publication year: 2026
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