Biology, Cybernetics, Soft Machines
from Part V - Science, Medicine, and Technology
Published online by Cambridge University Press: 02 July 2026
This chapter explores William Burroughs’s literary and theoretical engagement with the virus as a figure of both destruction and transformation. Drawing on works such as The Cities of Red Night, Naked Lunch, and Ghost of Chance, this chapter examines how Burroughs reimagines parasitical entities – not solely as biological threats but as units of language, ideology, and cultural transmission. Situating Burroughs’ writing alongside scientific thought and postmodern theory, the essay conducts a close reading of Burroughs’ lectures on the virus at the City College of New York in 1974, exploring the virus as a liminal force capable of mutating identity, dissolving fixed moral binaries, and challenging notions of agency and autonomy. Burroughs’s fascination with symbiosis and parasitism, both literal and metaphorical, reveals a vision of the self as shaped by infectious systems: genetic, linguistic, and media-based. Ultimately, the essay argues that Burroughs seeks not just to expose viral control but to become a viral force himself, rewriting perception through a radical reprogramming of language and consciousness.
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